Sony A850 Review

Image Quality
All of the sample images in this Review were taken using the 24.6 megapixel Extra Fine JPEG mode, which gives an average image size of around 8Mb.
During the review the Sony A850 produced photographs of stunning quality. The amount of detail resolved by the Carl Zeiss Vario Sonnar T* 2.8/24-70mm SSM lens and the A850's 24.6-megapixel sensor is truly astounding, even if you need to produce huge prints and look at them very closely to see it all. This resolution is likely to be enough for even the most demanding applications, such as magazine spreads, coffee table books, and calendars etc. Of course, resolution is not the only measure of image quality – and for some, it does not even rank among the most important. Fortunately, the A850 delivers the goods in the other departments as well. Colours are rich, vibrant and very pleasing, the dynamic range is fantastic and the tonality is superb. There is no denial that noise is present in images at ISO 1600 and above (and sometimes below as well), and it is easy to see it in 100% crops – but to see it in the final output, you have to print really, really big. At most print sizes, including some that would be described as large by most people, noise is simply not an issue, particularly if you shoot in the RAW format.
Noise
The base sensitivity of the Sony A850 is ISO 200, but you can go down to ISO 100 if you wish. ISO speeds are accessed by way of a dedicated button, which, as noted in the Ease of Use section, is a bit inconveniently located. You can select "full" ISO speeds with the front control wheel and in-between values – such as ISO 250 for example – with the rear wheel. An Auto ISO option is also provided, with the ability to set a minimum and a maximum threshold. Unfortunately, Auto ISO is not available in M mode. The camera produces admirably clean files between ISO 100 and ISO 400. ISO 800 will depend heavily on the lighting, whereas ISO 1600 clearly exhibits noise at 100% viewing. The situation gets worse at 3200, while the expanded setting of ISO 6400 looks rather nasty up close. We have provided, as usual, a set of 100% crops, but with the photos produced by the A850 being nearly 25 megapixels, it is imperative that we point our how small a portion of the full frame these crops represent. Therefore we urge you to judge them accordingly – remember that no matter how ugly the ISO 6400 crops may look, they still retain more detail than most other cameras can capture in the first place. Also note how the appearance of the noise differs between the JPEG and RAW crops, with JPEGs exhibiting some rather blotchy colour noise and fairly obvious luminance smoothing. The JPEG crops are from Extra Fine JPEGs, whereas the RAW samples are default Photoshop CS3 conversions. Individual parameter adjustments or the use of a different RAW converter may have yielded a slightly different look.
JPEG | RAW | |
ISO 100 (100% Crop) |
ISO 100 (100% Crop) |
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ISO 200 (100% Crop) |
ISO 200 (100% Crop) |
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ISO 400 (100% Crop) |
ISO 400 (100% Crop) |
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ISO 800 (100% Crop) |
ISO 800 (100% Crop) |
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ISO 1600 (100% Crop) |
ISO 1600 (100% Crop) |
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ISO 3200 (100% Crop) |
ISO 3200 (100% Crop) |
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ISO 6400 (100% Crop) |
ISO 6400 (100% Crop) |
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File Quality
The file quality settings available on the Sony A850 are Standard, Fine and Extra Fine for JPEGs, plus there is the option of shooting either compressed or uncompressed RAW. Both RAW and cRAW can be combined with JPEG, but in this case, the only JPEG setting available is Fine. Here are some 100% crops which show the quality of the various options, with the file size shown in brackets.
24.6M Extra Fine (100% Crop)
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24.6M Fine (100% Crop)
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24.6M Standard (100% Crop)
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24.6M RAW (100% Crop)
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Sharpening
The out-of-camera JPEGs are in fact quite sharp at the default settings if you use a sharp lens to begin with, but you may decide that they benefit from some further sharpening in a program like Adobe Photoshop. Here are two 100% crops which have been Saved as Web - Quality 50. The right-hand image has had some sharpening applied.
Original (100% Crop)
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Sharpened (100% Crop) |
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Night Shot
The Sony A850 has a maximum shutter speed of 30 seconds and a Bulb setting for even longer exposures, which is very good news if you are seriously interested in night photography. The shot below was taken using a shutter speed of 25 seconds, aperture of f/8 at ISO 100. I've included a 100% crop of the image to show what the quality is like.
Night Shot |
Night Shot (100% Crop) |
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Anti Shake
The A850 has a SteadyShot INSIDE function, which is an improved version of Minolta's Anti Shake technology; an image stabiliser that is built into the camera body itself rather than the lens, adjusting for external hand-shake by counter-moving the CCD in a compensating manner. Crucially, it works with any lens that you attach to the camera, removing the need to buy more expensive lenses with anti-shake. This allows you to take hand-held photos at shutter speeds that are critically slow for the focal length used. SteadyShot is activated with a sliding switch on the back of the camera, which requires a reassuringly firm flick of the thumb, meaning that accidental activation or deactivation isn't a problem. The crops below are from two photographs, both taken at 1/4 second at 70mm. As you can see, anti-shake does make a difference at shutter speeds like this. Importantly though, it won't help when even longer exposure times are required – in those cases, switch off SteadyShot and use a sturdy mount such as a tripod.
Shutter Speed / Focal Length |
Anti-Shake Off (100% Crop) |
Anti-Shake On (100% Crop) |
1/4th sec / 70mm | ![]() |
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Dynamic Range Optimizer
D-Range Optimiser (DRO) is Sony's solution to improve shadow detail in photos taken in contrasty light. The selectable settings are Off, Standard, Advanced Auto and Advanced Level 1-3. Especially the last of these, the ability to set DRO to one of three levels, is very effective, as our examples show.
Off (100% Crop) |
Standard (100% Crop) |
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Advanced Auto (100% Crop) |
Advanced Level 1 (100% Crop) |
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Advanced Level 2 (100% Crop) |
Advanced Level 3 (100% Crop) |
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Creative Styles
Sony's Creative Styles are akin to Canon's Picture Controls in being preset combinations of different sharpness, contrast, saturation and brightness settings. The default Creative Styles include Standard, Vivid, Neutral, Portrait, Landscape and Black-and-White, and are accessed by pressing the 'C' button, unless another function has been assigned to it. They can also be changed on the interactive status screen. There are other "image styles" available, some of which – such as 'Sunset' and 'Autumn' – are almost like scene modes in that they override the white balance setting too. Within each Creative Style and "image style", the user can fine-tune the sharpness, saturation, contrast etc. settings. Shown here are the six default Creative Styles for illustration.
Standard |
Vivid |
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Neutral |
Portrait |
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Landscape |
Black-and-White |
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Sample Images
This is a selection of sample images from the Sony A850 camera, which were all taken using the 24.6 megapixel Extra Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.
Sample RAW Images
The Sony A850 enables users to capture RAW and JPEG format files. We've provided some Sony RAW (ARW) samples for you to download (thumbnail images shown below are not 100% representative).
250/10s · f/8 · ISO 100
24mm
Download original
1/640s · f/2.8 · ISO 200
50mm
Download original
1/160s · f/4 · ISO 200
70mm
Download original
1/30s · f/5.6 · ISO 400
24mm
Download original
1/80s · f/5.6 · ISO 400
70mm
Download original
1/400s · f/11 · ISO 800
70mm
Download original
1/60s · f/8 · ISO 200
28mm
Download original
1/2000s · f/2.8 · ISO 200
70mm
Download original
1/160s · f/16 · ISO 200
70mm
Download original
1/60s · f/16 · ISO 200
55mm
Download original
1/80s · f/4 · ISO 1600
24mm
Download original
1/100s · f/5.6 · ISO 6400
70mm
Download original
1/50s · f/5.6 · ISO 3200
70mm
Download original
1/100s · f/8 · ISO 200
70mm
Download original
1/320s · f/5.6 · ISO 200
24mm
Download original
Sample Movie & Video
As of February 2025, we are no longer providing full size sample images or videos for download.
Please contact us if you have any feedback on our new policy.
Product Images
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Front of the Camera |
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Front of the Camera |
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Isometric View |
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Isometric View |
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Isometric View |
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Isometric View |
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Rear of the Camera |
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Rear of the Camera / Info Display |
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Rear of the Camera / Info Display |
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Rear of the Camera / Main Menu |
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Top of the Camera |
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Bottom of the Camera |
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Side of the Camera |
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Side of the Camera |
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Front of the Camera |
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Front of the Camera |
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Memory Card Slot |
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Battery Compartment |
Conclusion
The Sony A850 is virtually identical to the A900 for significantly less money, with the only concessions to price being the slightly smaller viewfinder coverage, slower burst shooting mode and the lack of a remote control in the box. We're a little late in reviewing the A850, but that still doesn't stop it from being an attractively specified and crucially well-priced full-frame DSLR.
The Sony A850 is not simply the highest-resolution DSLR out there – it's much more than that. Its viewfinder is one of the best you'll find south of medium format, the build is incredibly robust, the controls are intuitive, with some of them – such as the dedicated Histogram button, the metering mode knob or the well-implemented rear joystick – being close to pure genius. On top of that, the fact that it is the only full-frame digital SLR with image stabilisation integrated into the body (alongside the A900) makes it a very attractive proposition. Add to this a few useful features such as Manual Exposure Shift (ME Shift), AF Micro Adjustment and Dynamic Range Optimisation, and you have a very well-rounded photographic tool that is not likely to let you down in the field.
In terms of image quality, the A850 is also hard to find fault with. The resolution is jaw-dropping, the dynamic range is fantastic, the tonality is great and the colours are pleasing. You do get quite a bit of noise at ISO 1600 and higher (and sometimes lower as well), but it won't really impact on the final output unless you print those high-ISO shots really, really big, and then scrutinise them from a distance that borders on the ridiculous.
Does this mean that the A850 is the perfect camera then? Of course not – there is no such thing as a perfect camera. The auto-focus system, while capable, leaves a lot to be desired. The AF points need to be arranged more sensibly, and all of them need to be a cross type – or a double cross type, like the central one – in order to be really useful. Some kind of Live View – preferably off the main sensor, so that the great optical viewfinder is not compromised – would be more than welcome for the sake of all the tripod users out there. We do realise, however, that there are many photographers who will be more than happy with the AF system of the A850 as it is, and won't miss Live View at all – which is why we do not hesitate to award this camera our coveted Highly Recommended rating.
Ratings (out of 5) | |
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Design | 5 |
Features | 4 |
Ease-of-use | 5 |
Image quality | 4.5 |
Value for money | 5 |
Review Roundup
Reviews of the Sony A850 from around the web.
dpreview.com »
Rather than upping the new model's feature set Sony decided to leave the A850 (compared to the A900) almost unchanged and compete exclusively on price. The new model is available at a RRP of $2000, making it the cheapest full-frame DSLR currently on the market. Obviously something had to be done to justify the price difference to the flagship A900 (and not completely annoy existing A900 owners), so Sony decided to differentiate the A850 from its bigger brother by slightly reducing the viewfinder coverage and the buffer size (the latter resulting in a 3.0 fps vs 5.0 fps continuous shooting rate).
Read the full review »
luminous-landscape.com »
With the new A850 Sony is pushing the price envelope once more. The A900 currently sells for $2,700, with Canon being forced to match them in terms of pricing with the 5D MKII, the only other 20+MP full-frame camera available in this price range. (The Canon 1Ds MKIII is currently about $6,500 and the Nikon D3x is some $8,000, so both are in another league altogether).
Read the full review »
imaging-resource.com »
Sony tells us that the body, sensor, and electronics are identical to those of the A900, and our tests of the Sony A850 bear that out: Image quality is essentially identical to that of the A900, and other performance characteristics apart from the continuous-mode speed and viewfinder coverage appear identical as well. If you've been hungering for an A900 but couldn't quite justify the cost, the Sony A850 is the camera you've been waiting for.
Read the full review »
Specifications
Sony α mount | YES |
Compatibility with A-Mount bayonet lenses from Minolta and Konica Minolta | YES |
All types of Sony α lenses | YES (DT lens compatibility is not guaranteed) |
Minolta & Konica Minolta α/MAXXUM/DYNAX lenses | YES (DT lens compatibility is not guaranteed) |
Image sensor type | Exmor CMOS sensor |
Image sensor colour filter | R, G, B, Primary color |
Size (mm) | 35.9 x 24 |
Total sensor Pixels (megapixels) | Approx. 25.7 |
Effective Pixels (megapixels) | Approx. 24.6 |
Automatic White Balance | YES |
White balance: preset selection | Daylight, Shade, Cloudy, Tungsten, Fluorescent, Flash |
White balance: custom setting | YES |
White balance: types of color temperature | 2500 - 9900 k with 19-step Magenta / Green compensation |
White balance bracketing | 3 frames, Selectable 2 steps |
ISO Sensitivity Setting | ISO200 - 3200 equivalent, ISO numbers up from ISO100 to ISO6400 can be set as expanded ISO range |
System: Sensor-shift mechanism | YES |
SteadyShot INSIDE scale (in viewfinder) | YES |
Camera-Shake warning (in viewfinder) | YES |
SteadyShot INSIDE capability | Approx. 2.5 EV - 4 EV decrease in shutter speed (varies according to shooting conditions and lens used) |
SteadyShot INSIDE compatibility | All Sony DSLR lenses and A-Mount bayonet lenses from Minolta and Konica Minolta |
*SteadyShot INSIDE was previously known as Super SteadyShot |
Double anti dust system (anti-static coating and sensor shift mechanism) | YES |
TTL phase-detection system | YES |
Sensor | 9 points with centre dual-cross sensor + 10 assist focus points |
Sensitivity Range (at ISO 100 equivalent); EV | 0 - 18 |
Eye Start AF System (on off selectable) | NO |
AF Area: Wide focus area | YES (auto with 9 areas) |
AF Area: Spot | YES (center dual-cross sensor) |
AF Area: Local focus area selection | YES (9 local areas) |
AF Modes | Continuous, Single Shot, Automatic, Manual Focus, Direct Manual Focus |
Predictive Focus Control | YES (with moving subjects in AF-A and AF-C) |
Focus Lock | YES |
AF Illuminator | YES (with built-in LED) |
AF Illuminator range (meters) | Approx. 1 - 7 |
Light metering type | TTL |
Light metering cell | 40-segment honeycomb-pattern SPC |
Light metering: Multi segment | YES |
Light metering: Spot | YES |
Light metering: Center weighted | YES |
Exposure: Automatic | YES |
Exposure: Program Auto | YES (with Program Shift) |
Exposure: Shutter priority | YES |
Exposure: Aperture priority | YES |
Exposure: Manual | YES |
Exposure: Scene selection | NO |
AE Lock | YES |
Exposure compensation | YES (+/-3.0 EV, 0.3 EV, 0.5 EV steps selectable) |
AE Bracketing | 0.3 EV / 0.5 EV / 0.7 EV / 2.0 EV increments, 3/5 frames selectable (2.0 EV only 3 frames) |
Type | Electronically-controlled, vertical-traverse, focal-plane type |
Shutter Speed Range (seconds) | 1/8000 - 30 and bulb |
Flash Sync Speed (With Steady Shoot Off); second | 1/250 |
Flash Sync Speed (With Steady Shoot On); second | 1/200 |
Built-in-Flash Guide Number (in meters at ISO 100) | NO |
Flash Metering System | ADI / Pre-flash TTL flash metering |
Flash Compensation | +/-3.0 EV (0.3 EV, 0.5 EV steps selectable) |
Built-in-Flash Recycling Time (approx. time in seconds) | NO |
Flash Mode | Autoflash, Fill-flash, Rear flash sync. High Speed sync. with optional compatible accessory flash |
Wireless flash mode | YES (only with optional accessory) |
Slow Synchronization | YES |
Red-Eye Reduction | NO |
Flash Popup | NO |
Automatic Flash | YES (with AUTO mode) |
Type | Fixed eye-level system with optical glass type pentaprism |
Focusing Screen | Spherical acute matte screen |
Field of View (%) | Approx. 98 |
Magnification (with 50mm lens at infinity) | 0.74x |
Eye Relief | Approx. 20mm from the eyepiece lens |
Diopter Adjustment | -3.0 to +1.0 diopter |
Type | NO |
Other | NO |
Screen Size | 3 |
Monitor Type | Xtra Fine LCD |
LCD Total Dot Number | 921.600 |
LCD on/off | YES |
Brightness adjustable | YES |
Tilting screen | NO |
Drive Mode | Single, Continuous, 10sec. / 2sec. Self-timer, Single AE bracketing, Continuous AE bracketing, White Balance Bracketing, DRO Advanced Bracketing, Mirror lock up, Remote commander |
Continuous-Advance Rate (approx. frames per second at maximum) | Max. 3 fps |
Number of Continuous Advance | JPEG (L size, Fine): 384 images, RAW: 16 images, RAW+JPEG: 12 images |
Recording Media | Compact Flash Type I / II / MicroDrive slot. Memory Stick™ Duo / MS Pro Duo and MS-PRO HG Duo |
Recording Format | JPEG, RAW, RAW+JPEG, 16:9 selectable |
RAW (pixels) | 6048 x 4032 |
Image Size L - JPEG (pixels) | 6048 x 4032 (24M) |
Image Size M (pixels) | 4400 x 2936 (13M) |
Image Size S (pixels) | 3024 x 2016 (6.1M) |
Still Image quality | RAW, cRAW, RAW+JPEG, cRAW+JPEG, Extra fine(JPEG), Fine(JPEG), Standard(JPEG) |
Noise Reduction (Long exp.NR) | On/Off, available at shutter speeds longer than 1 second |
Noise Reduction (High ISO NR) | High/Normal/Low/Off, available at the ISO set to 1600 or above |
Delete Function | Single, multiple, or all frames in a folder |
Color Space (sRGB) | YES |
Color Space (Adobe RGB) | YES |
Color mode/DEC/Creative styles | Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night view, Autumn leaves, B/W, Sepia |
Dynamic Range Optimizer | Off, Standard / Advanced: Auto / Advanced: Level |
Date/Time Print | With PictBridge™ |
Information Display | YES |
White/Black Out Alert | YES |
Index Playback | YES (25, 9, 4 or 5 last frames filmstrip) |
Enlarge (Maximum magnification) | L size: 19x, M size: 14x, S size: 9.4x |
Image Rotation | YES |
Auto Image Rotation | YES |
Battery Remaining Indicator | YES |
InfoLITHIUM Battery Indicator | YES (in %) |
Histogram Indicator | YES |
Exif | 2.21 |
Exif Print | YES |
PictBridge | YES |
Menu Language | English / French / German / Spanish / Italian / Portuguese / Dutch / Russian / Swedish / Danish / Norwegian / Finnish / Polish / Czech / Hungarian |
Zone Matching | YES |
Depth-of-Field Preview | YES |
PRINT Image Matching III | YES |
Remote Release Terminal | YES |
IR Remote Control | YES (with RMT-DSLR1) |
DPOF(Digital Print Order Format) | YES |
Indicator of remaining memory space (CF) | YES |
Beep Sound | On/Off selectable |
File Number Memory | On/Off selectable |
Folder Name Mode | Standard and Date |
Operating Temperature (degrees C) | 0 - 40 |
Video Out | YES (PAL or NTSC) |
HD/HDMI™ Out | HDMI™ mini connector, 1080i/720p/SD selectable (optional HDMI™ cable necessary) |
USB 2.0 Hi-Speed | YES |
USB Mode | Mass Storage (Multi LUN compliant) / PTP / PC Remote Control |
Battery System | NP-FM500H |
Supplied Battery | NP-FM500H |
Stamina (battery life in CIPA condition) | Approx. 880 images |
Weight (g) | Approx. 850 |
Width (mm) | 156.3 |
Height (mm) | 116.9 |
Depth (mm) | 81.9 |
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