Panasonic Lumix DMC-FZ200 Review

Image Quality
All of the sample images in this Review were taken using the 12 megapixel Fine JPEG setting, which gives an average image size of around 5Mb.
The Panasonic Lumix DMC-FZ200 produced images of very good quality during the review period. Noise is well-controlled until ISO 1600, which exhibits some artifacts, blurring of detail and slight colour desaturation. The noise and loss of detail get progressively worse as you go from ISO 1600 to the fastest 6400 setting, which isn't really very usable at all.
The Panasonic Lumix DMC-FZ200 dealt very well with chromatic aberrations, with limited purple fringing effects appearing only in high contrast situations. The pop-up flash worked well indoors, with no red-eye and adequate exposure. The night photograph was excellent, with the maximum shutter speed of 60 seconds allowing you to capture plenty of light. Anti-shake is a feature that works very well when hand-holding the camera in low-light conditions or when using the telephoto end of the zoom range.
Macro performance is amazing, allowing you to focus as close as 1cm away from the subject (although it's difficult to get the lighting correct at such a close distance). The images were a little soft straight out of the camera at the default sharpening setting and ideally require further sharpening in an application like Adobe Photoshop, or you can change the in-camera setting if you don't like the default results. The Intelligent Resolution feature either makes a standard image look sharper, albeit with some unwanted artefacts appearing, or it digitally increases the 24x optical zoom to 48x, again with a slight loss in quality. Intelligent Dynamic Range successfully adjusts the exposure to record more detail in both the highlights and shadows.
Noise
There are 7 ISO settings available on the Panasonic Lumix DMC-FZ200. Here are some 100% crops which show the noise levels for each ISO setting for both JPEG and RAW formats.
JPEG | RAW |
ISO 100 (100% Crop) |
ISO 100 (100% Crop) |
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ISO 200 (100% Crop) |
ISO 200 (100% Crop) |
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ISO 400 (100% Crop) |
ISO 400 (100% Crop) |
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ISO 800 (100% Crop) |
ISO 800 (100% Crop) |
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ISO 1600 (100% Crop) |
ISO 1600 (100% Crop) |
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ISO 3200 (100% Crop) |
ISO 3200 (100% Crop) |
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ISO 6400 (100% Crop) |
ISO 6400 (100% Crop) |
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Focal Range
The Panasonic Lumix DMC-FZ200's 24x zoom lens provides a focal length of 25-600mm in 35mm terms, as demonstrated below.
25mm |
600mm |
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Sharpening
Here are two 100% crops which have been Saved as Web - Quality 50 in Photoshop. The right-hand image has had some sharpening applied in Photoshop. The out-of-the camera images are a little soft at the default sharpening setting. You can change the in-camera sharpening level if you don't like the default look.
Original (100% Crop) |
Sharpened (100% Crop) |
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File Quality
The Panasonic Lumix DMC-FZ200 has 2 different JPEG image quality settings available, with Fine being the highest quality option. Here are some 100% crops which show the quality of the various options, with the file size shown in brackets.
12M Fine (5.07Mb) (100% Crop) | 12M Normal (3.01Mb) (100% Crop) |
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12M RAW (14.3Mb) (100% Crop) | |
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Chromatic Aberrations
The Panasonic Lumix DMC-FZ200 handled chromatic aberrations excellently during the review. There's some slight purple fringing between areas of high contrast, but it's only noticeable on close inspection, as shown in the examples below.
Example 1 (100% Crop) |
Example 2 (100% Crop) |
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Macro
The Panasonic Lumix DMC-FZ200 offers a Macro setting that allows you to focus on a subject that is 1cm away from the camera when the lens is set to wide-angle. The first image shows how close you can get to the subject (in this case a compact flash card). The second image is a 100% crop.
Macro Shot |
100% Crop |
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Flash
The flash settings on the Panasonic Lumix DMC-FZ200 are Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off, and Flash Synchro. These shots of a white coloured wall were taken at a distance of 1.5m.
Flash Off - Wide Angle (25mm) |
Flash On - Wide Angle (25mm) |
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Flash Off - Telephoto (600mm) |
Flash On - Telephoto (600mm) |
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And here are a couple of portrait shots. As you can see, neither the Forced On setting or the Auto/Red-eye Reduction option caused any amount of red-eye.
Forced On |
Forced On (100% Crop) |
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Auto/Red-eye Reduction |
Auto/Red-eye Reduction (100% Crop) |
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Night
The Panasonic Lumix DMC-FZ200's maximum shutter speed is 60 seconds in Manual shooting mode and the Starry Sky Mode scene mode, which is great news if you're seriously interested in night photography. The shot below was taken using a shutter speed of 15 seconds at ISO 100. I've included a 100% crop of the image to show what the quality is like.
Night Shot |
Night Shot (100% Crop) |
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Anti Shake
The Panasonic Lumix DMC-FZ200 has an anti-shake mechanism, which allows you to take sharp photos at slower shutter speeds than other digital cameras. To test this, I took 2 handheld shots of the same subject with the same settings. The first shot was taken with anti shake turned off, the second with it turned on. Here are some 100% crops of the images to show the results. As you can see, with anti shake turned on, the images are much sharper than with anti shake turned off. This feature really does seem to make a difference and could mean capturing a successful, sharp shot or missing the opportunity altogether.
Shutter Speed / Focal Length |
Anti Shake Off (100% Crop) |
Anti Shake On (100% Crop) |
1/5th / 25mm | ![]() |
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1/6th / 600mm | ![]() |
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Intelligent Resolution
The Intelligent Resolution feature either makes a standard image look like a higher resolution one by processing the contour areas, texture areas and smooth areas individually, or it digitally boosts the zoom magnification from 24x to 48x.
Intelligent Resolution Off |
Intelligent Resolution On |
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i.Zoom Off |
i.Zoom On |
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Intelligent Dynamic Range
The Panasonic Lumix DMC-FZ200's Intelligent Dynamic Range feature adjusts the exposure setting to record more detail in the highlights and shadows, with three strengths available - low, standard and high.
Off |
Low |
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Standard |
High |
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Photo Styles
Panasonic's Photo Styles, similar to Nikon's Picture Styles, Canon's Picture Controls and Olympus' Picture Modes, are preset combinations of different sharpness, contrast, saturation and noise reduction settings. The six available Photo Styles are shown below in the following series, which demonstrates the differences. There is also a Custom option so that you can create your own look.
Standard |
Vivid |
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Natural |
Monochrome |
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Scenery |
Portrait |
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Creative Controls
The Panasonic FZ48 has an expanded range of Creative Controls, denoted by an artist's palette on the shooting mode dial, with 14 different options on offer. You can also apply all of these effects to a JPEG image during playback via the Creative Retouch option (press up on the navigation pad).
Expressive |
Retro |
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High Key |
Low Key |
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Sepia |
Dynamic Monochrome |
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Impressive Art |
High Dynamic |
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Cross Process |
Toy Effect |
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Miniature Effect |
Soft Focus |
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Star Filter |
One Point Color |
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Sample Images
This is a selection of sample images from the Panasonic Lumix DMC-FZ200 camera, which were all taken using the 12 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.
1/6s · f/4 · ISO 100
25mm
Download Original
1/13s · f/4 · ISO 200
25mm
Download Original
1/25s · f/4 · ISO 400
25mm
Download Original
1/50s · f/4 · ISO 800
25mm
Download Original
1/100s · f/4 · ISO 1600
25mm
Download Original
1/200s · f/4 · ISO 3200
25mm
Download Original
1/400s · f/4 · ISO 6400
25mm
Download Original
1/80s · f/2.8 · ISO 250
140mm
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1/60s · f/2.8 · ISO 400
558mm
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1/60s · f/2.8 · ISO 250
25mm
Download Original
1/640s · f/5 · ISO 100
61mm
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1/30s · f/5.6 · ISO 400
25mm
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1/50s · f/5.6 · ISO 400
600mm
Download Original
1/60s · f/5.6 · ISO 200
89mm
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1/320s · f/2.8 · ISO 100
245mm
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1/250s · f/2.8 · ISO 100
37mm
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1/500s · f/2.8 · ISO 100
86mm
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1/100s · f/2.8 · ISO 100
25mm
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1/125s · f/4 · ISO 100
41mm
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1/1000s · f/2.8 · ISO 100
379mm
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1/200s · f/2.8 · ISO 100
600mm
Download Original
1/100s · f/3.5 · ISO 100
63mm
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1/400s · f/4 · ISO 100
25mm
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1/160s · f/4 · ISO 100
600mm
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1/60s · f/4 · ISO 125
47mm
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1/400s · f/2.8 · ISO 100
214mm
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1/160s · f/2.8 · ISO 100
522mm
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1/250s · f/2.8 · ISO 100
25mm
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1/250s · f/4.5 · ISO 100
25mm
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1/125s · f/4.5 · ISO 100
25mm
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1/100s · f/4.5 · ISO 250
452mm
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1/100s · f/4.5 · ISO 160
443mm
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1/60s · f/4.5 · ISO 125
25mm
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1/640s · f/3.5 · ISO 100
25mm
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1/2000s · f/2.8 · ISO 100
47mm
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1/200s · f/2.8 · ISO 100
600mm
Download Original
1/125s · f/2.8 · ISO 160
600mm
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1/160s · f/5.6 · ISO 100
25mm
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1/160s · f/8 · ISO 100
47mm
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1/125s · f/2.8 · ISO 100
225mm
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1/2000s · f/2.8 · ISO 100
72mm
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1/500s · f/2.8 · ISO 100
183mm
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1/80s · f/5.6 · ISO 100
25mm
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1/250s · f/2.8 · ISO 100
263mm
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1/320s · f/2.8 · ISO 100
135mm
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1/400s · f/2.8 · ISO 100
600mm
Download Original
1/320s · f/2.8 · ISO 100
600mm
Download Original
1/125s · f/5.6 · ISO 100
33mm
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1/125s · f/2.8 · ISO 125
600mm
Download Original
1/400s · f/5.6 · ISO 100
25mm
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1/200s · f/2.8 · ISO 100
25mm
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1/200s · f/2.8 · ISO 100
217mm
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1/1600s · f/4 · ISO 6400
25mm
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1/125s · f/4 · ISO 3200
25mm
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1/160s · f/4 · ISO 1600
42mm
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1/200s · f/4.5 · ISO 100
89mm
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1/320s · f/4.5 · ISO 100
600mm
Download Original
1/125s · f/4.5 · ISO 100
25mm
Download Original
Sample RAW Images
The Panasonic Lumix DMC-FZ200 enables users to capture RAW and JPEG format files. We've provided some Panasonic RAW (RW2) samples for you to download (thumbnail images shown below are not 100% representative).
1/6s · f/4 · ISO 100
25mm
Download original
1/13s · f/4 · ISO 200
25mm
Download original
1/25s · f/4 · ISO 400
25mm
Download original
1/50s · f/4 · ISO 800
25mm
Download original
1/100s · f/4 · ISO 1600
25mm
Download original
1/200s · f/4 · ISO 3200
25mm
Download original
1/400s · f/4 · ISO 6400
25mm
Download original
1/60s · f/2.8 · ISO 400
558mm
Download original
1/60s · f/5.6 · ISO 200
89mm
Download original
1/100s · f/3.5 · ISO 100
63mm
Download original
1/400s · f/2.8 · ISO 100
214mm
Download original
1/640s · f/3.5 · ISO 100
25mm
Download original
1/125s · f/2.8 · ISO 100
225mm
Download original
1/320s · f/2.8 · ISO 100
135mm
Download original
1/400s · f/2.8 · ISO 100
600mm
Download original
1/200s · f/2.8 · ISO 100
25mm
Download original
1/1600s · f/4 · ISO 6400
25mm
Download original
1/125s · f/4 · ISO 3200
25mm
Download original
1/160s · f/4 · ISO 1600
42mm
Download original
1/320s · f/4.5 · ISO 100
600mm
Download original
Sample Movie & Video
This is a sample movie at the highest quality setting of 1920x1080 pixels at 30 frames per second. Please note that this 19 second movie is 65.9Mb in size.
As of February 2025, we are no longer providing full size sample images or videos for download.
Please contact us if you have any feedback on our new policy.
Product Images
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Front of the Camera |
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Front of the Camera / Turned On |
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Front of the Camera / Flash Raised |
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Front of the Camera / Lens Hood Fitted |
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Isometric View |
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Isometric View |
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Isometric View |
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Isometric View |
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Isometric View |
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Rear of the Camera / LCD Screen Closed |
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Rear of the Camera / LCD Screen Open |
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Rear of the Camera / Turned On |
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Rear of the Camera / Image Displayed |
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Rear of the Camera / Main Menu |
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Rear of the Camera / Quick Menu |
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Rear of the Camera / Creative Control Menu |
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Front of the Camera / Tilting LCD Screen |
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Front of the Camera / Tilting LCD Screen |
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Front of the Camera / Tilting LCD Screen |
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Top of the Camera |
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Bottom of the Camera |
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Side of the Camera |
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Side of the Camera |
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Front of the Camera |
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Front of the Camera |
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Memory Card Slot |
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Battery Compartment |
Conclusion
While other manufacturers have concentrated on making their super-zoom cameras bigger in terms of their focal range, most notably Canon with the 50x zoom PowerShot SX50 HS camera, Panasonic have bucked the trend with the new FZ200 by making the lens faster. Astonishingly the FZ200 has a constant aperture of F/2.8 throughout its now relatively modest 24x zoom range, which arguably offers greater benefits to the photographer than increasing the telephoto reach. In practice having an aperture of F/2.8 at 600mm results in far fewer blurred pictures, with the added benefit of producing more out-of-focus backgrounds, making the Lumix DMC-FZ200 even more appealing to sports and nature photographers.
Other key improvements include a class-leading electronic viewfinder, which has 1.31-million-dots and is subsequently more of a pleasure than a chore to use, and better noise performance, with a now usable ISO range of 100-800 and the added benefit of RAW format support for those who want to take full control of post-processing. The FZ200 also retains the fast auto-focus system, 12fps burst shooting, titling LCD screen and 1080p video of its predecessor, plus the battery life has been greatly improved to over 500 shots.
The only real downside of the new Panasonic Lumix DMC-FZ200 is a fairly substantial price increase compared to its predecessor - £50 in the UK and $100 in the US - making it one of the most expensive super-zooms on the market. Even so, that F/2.8 lens is a technical triumph that will make a real difference to your photography - hand-holding a camera at 600mm and getting sharp results and blurred backgrounds has never been so easy...
Ratings (out of 5) | |
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Design | 5 |
Features | 5 |
Ease-of-use | 4.5 |
Image quality | 4.5 |
Value for money | 4 |
Review Roundup
Reviews of the Panasonic Lumix DMC-FZ200 from around the web.
reviews.cnet.co.uk »
The lens in the extremely well designed Panasonic Lumix DMC-FZ200 is tempting and its asking price is fair. If you're looking to trade up from a compact, don't discount this entirely in favour of a dSLR. Performance is on a par with a consumer dSLR, and you needn't invest in a bag full of expensive lenses to go with it.
Read the full review »
ephotozine.com »
Panasonic Lumix DMC-FZ200 Digital Camera Review - Daniel Bell reviews the 24x optical zoom Panasonic Lumix DMC-FZ200 which has a constant maximum aperture of f/2.8 throughout the entire focal length.
Read the full review »
Specifications
Metrics |
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Dimensions (W x H x D) | 125.2 x 86.6 x 110.2 mm / (4.93 x 3.41 x 4.34 inch) |
Weight | Approx. 537g without Battery and SD Memory Card (1.18lb) / Approx. 588g with Battery and SD Memory Card (1.29lb) |
Optics |
|
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Camera Effective Pixels | 12.1 Megapixels |
Sensor Size / Total Pixels / Filter | 1/2.3-type High Sensitivity MOS Sensor / 12.8 Total Megapixels / Primary Color Filter |
Aperture | F2.8 / Multistage Iris Diaphragm (F2.8 - 8 (W, T)) |
Optical Zoom | 24x |
Focal Length | f=4.5 - 108mm (25 - 600mm in 35mm equiv.) / (28 - 672mm in 35mm equiv. in video recording) |
Extra Optical Zoom (EZ) | 29.4x (4:3 / 8M), 37.5x (4:3 / 5M), 46.9x (under 3M) |
Intelligent Zoom | 48x |
Lens | LEICA DC VARIO-ELMARIT (Nano Surface Coating) / 14 elements in 11 groups / (5 Aspherical Lenses / 9 Aspherical surfaces / 3 ED Lenses / 1 Nano Surface Coating Lens) |
2-Speed Zoom | Yes |
Optical Image Stabilizer | Power O.I.S. (On with Active Mode(only for Video) / Off) |
Digital Zoom | Max. 4x |
Focusing Area | Normal: Wide 30 cm - infinity / Tele 200 cm - infinity / AF Macro / MF / Intelligent AUTO/ motion picture: Wide 1 cm - infinity / Tele 100cm - infinity |
AF Assist Lamp | Yes (On/Off) |
Focus | Normal / AF Macro / MF / Quick AF ON/OFF(On in Intelligent Auto), Continuous AF (only for motion picture) / FOCUS Button, AF/AF Macro/MF Switchable, AF/AE Lock Button, Manual Focus / One shot AF, AF Area Select, AF Tracking |
AF Metering | 1/3 - 3 EV step, Max.+/-3EV, 3 frames |
Shutter Speed | Still image : approx. 60 - 1/4000 sec / Motion picture : approx. 1/30 - 1/20,000 sec / (Creative Video Mode : approx. 1/8 - 1/20,000 sec) |
Viewfinder | 0.21" Color EVF (1,312K dots equiv.), Field of View : approx. 100%, Lens 18.4x |
Recording |
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File Format | Still Image: JPEG(DCF/Exif2.3), RAW, MPO / Motion picture: AVCHD, MP4 |
Mode Dial / Mode Button | Expressive, Retro, High Key, Low Key, Sepia, Dynamic Monochrome, Impressive Art, High Dynamic, Cross Process, Toy Effect, Miniature Effect, Soft Focus, Star Filter, One Point Color |
Creative Control mode | Portrait, Soft Skin, Scenery, Panorama Shot, Sports, Panning, Night Portrait, Night Scenery, / Handheld Night Shot, HDR, Food, Baby1, Baby2, Pet, Sunset, High Sensitivity, Glass Through, 3D photo |
Still Image Scene Mode | Full- Resolution Image: 12 frames/sec Max.12 images / with AF Tracking: 5.5 frames/sec, 2 frames/sec / Intelligent Burst Shooting? / High- speed Burst: approx. 60 frames/sec (recorded in 2.5 M) / approx. 40 frames/sec (recorded in 5 M)? |
Motion Picture Recording (*2) | [HD Video] 1920 x 1080 pixels, 50p (PSH: 28Mbps / AVCHD) (Sensor Output is 50fps) / 1920 x 1080 pixels, 50i (FSH: 17Mbps / AVCHD) (Sensor Output is 50fps) / 1280 x 720 pixels, 50p (SH: 17Mbps / AVCHD) (Sensor Output is 50fps) / 1920 x 1080 pixels, 25 fps (FHD: 20Mbps / MP4) (Sensor Output is 25fps) / 1280 x 720 pixels, 25 fps (HD: 10Mbps / MP4) (Sensor Output is 25fps) / [STD Video] 640 x 480 pixels, 25 fps (VGA: 4Mbps / MP4) (Sensor Output is 25fps) / [High Speed Video] 1280 x 720 pixels, 25 fps (MP4) (Sensor Output is 100fps) / 640 x 480 pixels, 25 fps (MP4) (Sensor Output is 200fps) |
AVCHD (Continuous recordable time [motion pictures]) | approx. 160 min (PSH), 180 min(FSH) |
MP4 (Continuous recordable time [motion pictures]) | approx. 200 min (FHD) |
AVCHD (Actual recordable time [motion pictures]) | approx. 80 min (PSH), 90 min (FSH) |
MP4 (Actual recordable time [motion pictures]) | approx. 100 min (FHD) |
Exposure | Program AE, Aperture Priority AE, Shutter Priority AE, Manual |
Exposure Compensation | 1/3 EV step, +/-3 EV |
Auto (AE) Bracketing | 1/3 EV step, +/-3EV, 3 frames |
Light Metering | Intelligent Multiple / Center Weighted / Spot |
Aspect Bracketing | ?- |
ISO Sensitivity | Auto / i.ISO / 100 / 200 / 400 / 800 / 1600 / 3200 / 6400 * (* Extended ISO) (Changeable to 1/3 EV step) / High Sensitivity Mode (ISO 1600 - 6400) |
Still Picture Recording | [1:1] / 2992 x 2992 (9M) / 2448 x 2448 (6M EZ) / 1920x1920(3.5M EZ) / 1536x1536(2.5M EZ) / 480x480(0.2M EZ) / [4:3] / 4000 x 3000 (12M) / 3264 x 2448 (8M EZ) / 2560X1920 (5M EZ) / 2048X1536 (3M EZ) / 1600 x 1200 (2M EZ) / 640x480 (0.3M EZ) / [3:2] / 4000 x 2672 (10.5M) / 3264 x 2176 (7M EZ) / 2560x1712 (4.5M EZ) / 2048x1360 (2.5M EZ) / 640x424 (0.3M EZ) / [16:9] / 4000 x 2248 (9M) / 3264 x 1840 (6M EZ) / 2560x1440(3.5M EZ) / 1920x1080 (2M EZ) / 640x360 (0.2M EZ) / 1920 x 1080 (3D) |
Zoom in Motion Picture | Yes |
Image Quality | RAW / RAW+Fine / RAW+Standard / Fine / Standard (3D Mode : MPO+Fine / MPO+Standard) |
White Balance | Auto / Daylight / Cloudy / Shade / Flash / Incandescent / White Set1 / White Set2 / Color Temperature (2-axis adjustable) |
Photo Style / Film Mode | Standard, Vivid, Natural, Monochrome, Scenery, Portrait, Custom |
Color Mode / Color Effect / My color | Color Mode (only in iA Mode) : Standard, Happy, Black and White, Sepia |
Picture Adjustment | Contrast, Sharpness, Color Saturation, Noise Reduction |
Digital Red Eye Correction (Red-Eye Removal) | Yes |
GPS | - |
Wi-FI | - |
Self Timer | 2sec / 10sec / 10sec 3pcs |
Playback |
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Retouch | Auto Retouch / Creative Retouch |
Playback Mode | Normal Playback, Slideshow, Filtering Playback?Picture Only, Video Only, 3D, Category, Favorites), Calendar Playback |
Thumbnails / Zoomed Playback | 12,30-thumbnails / Yes |
Calendar Display / Dual-Image Playback | Yes / No |
Set Favorites / Rotate Image | Yes / No |
Show Histogram | Yes |
Show Highlights | Yes |
DPOF Print Setting / Set Protection | Yes / Yes |
Resize / Cropping / Aspect Conv. / Leveling | Yes / Yes / No / Yes |
Copy / Title Edit / Text Stamp | Yes / Yes / Yes |
Cut Animation | Yes |
Video Divide | Yes |
PictBridge Support | Single / Multi / All / Favorites / DPOF |
Setup |
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OSD language | Japanese, English, German, French, Italian, Spanish |
Others |
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Battery life (approx.) | 540 pictures (CIPA Standard)*1 |
LCD Monitor | 7.5cm(3.0") Free-Angle TFT Screen LCD Display (460K dots), AR Coating / Field of View : approx. 100% Wide Viewing Angle / Power LCD mode, AUTO Power LCD mode |
Built-in-Flash | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off, Flash Synchro ; 1st/2nd Slow Sync / 0.3 - 13.5m (Wide/ISO Auto), 1.0 - 13.5m (Tele/ISO Auto) |
Recording Media | Built-in Memory, SD Memory Card, SDHC Memory Card, SDXC Memory Card (Compatible with UHS-I Standard) |
Built-in-Memory | Approx. 70MB |
Microphone / Speaker | Stereo / Mono |
Interface | miniHDMI, AV Output (PAL/NTSC), USB Multi, Microphone |
Power | Li-ion Battery Pack (7.2V, Minimum: 1,200mAh) (Included) / AC Adaptor (Input: 110-240V AC)(Optional) |
Included Software | PHOTOfunSTUDIO 8.3 PE, SilkyPix Developer Studio, Adobe Reader |
Standard Accessories | Battery Charger, Battery Pack, USB Cable, AC Cable, Shoulder Strap, CD-ROM, Lens Hood, Lens Cap, Lens Cap String |
Further Specifications |
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NOTE | *1Recording conditions by CIPA standard / - CIPA is an abbreviation of [Camera & Imaging Products Association]. / - Temperature: 23 oC (73.4 oF)/Humidity: 50%RH when LCD monitor is on. / - Using a Panasonic SD Memory Card (32 MB). / - Using the supplied battery. / - Starting recording 30 seconds after the camera is turned on. (When the optical image stabilizer function is set to [ON].) / - Recording once every 30 seconds with full flash every second recording. / - Rotating the zoom lever from Tele to Wide or vice versa in every recording. / - Turning the camera off every 10 recordings and leaving it until the temperature of the battery decreases. / *2 / - These are standard times taken at a temperature of 23 oC (73.4 oF) and a humidity of 50%RH. / - The time available for recording varies depending on the environment, the interval between recordings, and the manner of use. / - Actual recordable time is the time available for recording when repeating actions such as switching the power supply [ON] / [OFF], starting/stopping recording, zoom operation etc. / - Motion pictures in [MP4] can be recorded continuously for up to 29 minutes 59 seconds. Also, motion picture recorded continuously in [MP4] is up to 4 GB. |
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