Olympus E-450 Review

May 27, 2009 | Zoltan Arva-Toth | Rating star Rating star Rating star Rating star

Image Quality

All of the sample images in this Review were taken using the 10 megapixel Super Fine JPEG setting, which gives an average image size of around 7Mb.

During the review, the Olympus E-450 produced photos of very good quality. Colours were vibrant without being over-saturated even in Natural picture mode, and you can also choose Vivid if you want even more punch. The Shadow Adjustment Technology helps make the most out of the shadows in a high-contrast scene, so you can expose for the highlights. The art filters produce special effects that would otherwise require you to spend a lot of time in the “digital darkroom”. Noise at high ISO settings was easily detectable when viewing images at 100% magnification on screen, but it did not really show up in print, owing to its being tightly grained. The exception is shooting at ISO 1600 in incandescent light, when the boost given to the blue channel to neutralise the predominant yellow cast can result in a more obtrusive noise pattern.

Noise

The Olympus E-450 has five selectable sensitivity settings, ranging from ISO 100 to 1600 in full-stop increments. Unlike most of the competition, the E-450 lets you turn the in-camera noise filtering completely off. You may also set it to Low, Standard or High. The JPEG crops are from photographs taken with the Noise Filter turned off, and exhibit fairly unobtrusive, tightly-grained noise even at the highest setting. This is what you can expect in low but neutral lighting. Do note however that in artificial light, where the camera needs to boost gain in the blue channel to neutralise or at least reduce the predominant yellow cast, the noise pattern is less appealing, as you can see in one of our Sample Images, taken at ISO 1600.

JPEG

RAW

ISO 100 (100% Crop)

ISO 100 (100% Crop)

   

ISO 200 (100% Crop)

ISO 200 (100% Crop)

   

ISO 400 (100% Crop)

ISO 400 (100% Crop)

   

ISO 800 (100% Crop)

ISO 800 (100% Crop)

   

ISO 1600 (100% Crop)

ISO 1600 (100% Crop)

File Quality

The available file quality settings for JPEGs include Basic, Normal, Fine and Super Fine. The last one of these offers the best quality at the very mild compression ratio of 1:2.7. Be aware though that it is not among the selectable options by default – you have to first enable it via the menu. Full-resolution Super Fine JPEGs typically occupy between 6 and 7 megabytes on the card; while the – losslessly compressed – raw files are between 10 and 11 megabytes each.

Super Fine (7.27Mb) (100% Crop)

Fine (4.76Mb) (100% Crop)

   

Normal (2.18Mb) (100% Crop)

Basic (1.44Mb) (100% Crop)

   

RAW (11Mb) (100% Crop)

 
 

Sharpening

Here are two 100% crops - the right-hand image has had some sharpening applied in Photoshop. The out-of-the camera images are a little soft at the default sharpening setting and benefit from some further sharpening in a program like Adobe Photoshop. You can also change the in-camera sharpening level to suit your tastes.

Original (100% Crop)

Sharpened (100% Crop)

   

Flash

The flash modes include Auto, Manual, Fill, Slow Synchronisation on the 1st and the 2nd curtain, or almost any of these combined with red-eye reduction. Not all flash modes may be available in every shooting mode. The guide number is 12 (in metres) at ISO 100. Flash exposure compensation and flash bracketing are available. The pop-up flash can also be used as a controller for wirelessly slaved FL-36R and FL-50R units. These shots of a white ceiling were taken at a distance of 1.5 metres.

Flash Off - Wide Angle (28mm)

Flash On - Wide Angle (28mm)

ISO 64 ISO 64
   

Flash Off - Telephoto (90mm)

Flash On - Telephoto (90mm)

ISO 64 ISO 64

The built-in flash caused a bit of red-eye, which was practically eliminated in red-eye reduction mode.

Flash On

Flash On (100% Crop)
   

Red Eye Reduction

Red Eye Reduction (100% Crop)

Night

The Olympus E-450 lets you dial in shutter speeds of up to 60 seconds and has a Bulb mode as well for exposure times as long as 30 minutes, which is very good news if you are seriously interested in night photography. The shot below was taken using a shutter speed of 10 seconds, aperture of f/8 at ISO 100. We've included a 100% crop to see what the quality is like.

Night Shot

Night Shot (100% Crop)

Shadow Adjustment Technology

Similarly to Nikon's D-lighting, Sony's DRO etc., Shadow Adjustment Technology (SAT) brightens the shadows in a high-contrast scene without affecting the midtones or the highlights. The way to engage SAT is to set the tonal gradation to Auto via the Super Control Panel. Although this option is always at your disposal, remember that it is meant to be used in strong, contrasty lighting at base ISO. Below you can see a comparison of Normal and Auto gradation; the difference is noticeable in the shadowed areas on the left side of the photo, in the foliage. Two other, special-use gradation settings are available on the camera, Low Key and High Key. The former is for photographing dark subjects against dark backgrounds, whereas the latter is for light-toned subjects against a light-toned background. An example of a high-key photo is the shot of the bottles in the Sample Images section.

Off

On

Art Filters

The most obvious difference between the E-420 and the E-450 is the presence of three Art Filters in the latter. These are special effects called Pinhole (apparently dubbed 'Toy Camera' in Japan, where toy cameras are a big fad), Soft Focus and Pop Art. The most useful of these is Soft Focus, because the FourThirds system lacks a dedicated soft focus lens, and the effect would require advanced knowledge of layers, blurring methods and blending modes if you were to reproduce it in post-processing. The Pinhole effect creates a lot of vignetting and faded colours, whereas the Pop Art filter boosts the saturation to unnatural levels to mimic the look of, well, pop art. Note that applying the Art Filters slows the camera down somewhat.

Pop Art

Pin Hole

   

Soft Focus

 
 

Sample Images

This is a selection of sample images from the Olympus E-450 camera, which were all taken using the 10 megapixel Super Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.

Sample RAW Images

The Olympus E-450 enables users to capture RAW and JPEG format files. We've provided some Olympus RAW (ORF) samples for you to download (thumbnail images shown below are not 100% representative).

Sample Movie & Video

As of February 2025, we are no longer providing full size sample images or videos for download.

Please contact us if you have any feedback on our new policy.

Product Images

Olympus E-450

Front of the Camera

 
Olympus E-450

Front of the Camera

 
Olympus E-450

Isometric View

 
Olympus E-450

Isometric View

 
Olympus E-450

Rear of the Camera

 
Olympus E-450

Rear of the Camera / Turned On

 
Olympus E-450

Rear of the Camera / Main Menu

 
Olympus E-450

Top of the Camera

 
Olympus E-450

Bottom of the Camera

 

Olympus E-450

Side of the Camera

 
Olympus E-450

Side of the Camera

 
Olympus E-450

Front of the Camera

 
Olympus E-450

Front of the Camera

 
Olympus E-450

Front of the Camera

 
Olympus E-450

Memory Card Slot

 
Olympus E-450

Battery Compartment

 
Olympus E-450

Pop-up Flash

 
Olympus E-450

External Flash

Conclusion

The Olympus E-450 is a very compact, lightweight yet fairly robust feeling little DSLR that comes with a lot of features for an entry-level camera. Not only does it offer manual exposure and focusing modes for the advanced user; it also has features like highlight-, shadow- and midtone-based spot metering, user-configurable mirror lock-up (Anti-Shock), wireless TTL flash control, Shadow Adjustment Technology and contrast-detect auto-focus in Live View.

Other features, however, are notable by their absence. These include image stabilisation, LCD articulation and video recording. The controls also leave a bit to be desired, as there are no dedicated buttons for changing the focusing mode, ISO sensitivity, white balance and metering mode. This is regrettable even if there is a customisable Fn button and a reprogrammable drive mode button – I would really have liked to see these functions mapped onto the four-way controller. Finally, the E-450 makes do with the small finder and rudimentary 3-point auto-focus of the E-420, both of which seem frankly obsolete for a 2009 model. To be fair, if you are really bothered by any of these, you can opt for the Olympus E-620 instead, which has everything you may miss from the E-450 except video.

The advantage of the E-450 over the E-620 is its lower price and weight – not that the E-620 is terribly heavy but the E-450 is lighter still, and costs considerably less. A more important question is what the E-450 offers over the E-420, which can be had for even less? A subtly different LCD screen and processing engine aside, the difference is limited to the three Art Filters, present in the E-450 but absent from the E-420. The Art Filters are well implemented and admittedly fun to use, but are they enough to sway you away from the cheaper E-420? Only you can tell.

4 stars

Ratings (out of 5)
Design 4
Features 4
Ease-of-use 4
Image quality 4.5
Value for money 5

Main Rivals

Listed below are some of the rivals of the Olympus E-450.

Canon EOS 500D

The Canon EOS 500D is the latest DSLR camera to jump on the HD video bandwagon, offering 1080p and 720p quality settings. Also known as the Digital Rebel T1i, the successor to the EOS 450D features a 15 megapixel CMOS sensor, 940,000 dot 3-inch LCD screen, Live View and ISO range of 100-12800. At $799.99 / £869.99 body only or $899.99 / £969.99 with the EF-S 18-55mm f3.5-5.6 IS kit lens, find out if the Canon EOS 500D is the best consumer digital SLR in our expert review.

Specifications

Type
Lens mount Four Thirds
Body material Glassfibre reinforced plastics
Image Sensor
Effective pixels 10 Megapixels
Filter array Primary colour filter (RGB)
Full resolution 11.8 Megapixels
Type 4/3 '' Live MOS sensor
Aspect ratio & area 4:3 / 17.3 x 13.0 mm
Engine
Type TruePic III+
Filter
LPF filter Fixed type
IR cut filter Hybrid type
Dust reduction filter Supersonic Wave Filter
Viewfinder
Viewfinder type Eye-level single-lens view finder
Field of view Approx. 95 %
Magnification Approx. 0.92 x with a 50mm lens set to infinity at -1 dioptre
Depth of field preview Yes
Eye point 14 mm
Diopter adjustment Yes -3.0 - +1.0 diopter / built-in type
Focusing screen Fixed type (Neo Lumi-Micron Mat Screen)
Mirror Quick return mirror
Viewfinder Information Yes AF frame (super impose), AE lock, AF confirmation mark, metering mode, exposure mode, shutter speed, aperture value, white balance, exposure compensation value indicator, flash, battery check
Eye piece shutter Eye-piece cap EPC-1 supplied
Live View
AF type Option between phase difference detection system and contrast detection autofocus
Information 100% field of view, exposure adjustment preview, white balance adjustment preview, gradation setting preview (SAT), face detection preview, perfect shot preview, gridline displayable, 7x/10x magnification possible, MF/S-AF, AF frame display, AF point display, shooting information, histogramme
Focusing System
Method TTL phase difference detection system, contrast detection system
Focus areas 3 points / Automatic and manual selection. For contrast detection AF, 11 points are used.
AF illuminator Yes , Built-in flash (external flash available / inactivation possible)
AF lock Yes , Locked by first position of shutter release button, AE/AF lock button (customised)
Focus tracking Yes , Available in continuous AF mode
Manual focus Yes , Available by rotating focus ring, available for setting manual focus operation in AF mode (customised)
Single AF Yes
Single AF + MF Yes
Continuous AF Yes , only available for TTL phase difference detection
Continuous AF + MF Yes , only available for TTL phase difference detection
Detection range 0 - 19 EV (ISO 100)
Exposure System
Exposure compensation +/- 5 EV / 1/3 steps
Exposure bracketing 3 frames / +/- 1/3, 2/3, 1 EV steps
Exposure Modes
Auto Yes
Programme automatic Yes
Aperture priority Yes
Shutter priority Yes
Manual Yes
Scene Modes 28
Light Metering
Method TTL open aperture light metering
Zones 49 zones Multi-pattern Sensing System
Detection range 1 - 20 EV (50mm, 1:2, ISO 100)
ESP light metering Yes
Spot metering Yes
Centre weighted metering Yes
Highlight Yes
Shadow Yes
Art Filter
Pin Hole Reproduces the peripheral vignetting and unique colour tone of photos taken with a pin hole camera
Pop Art Emphasizes colors and creates bright, vibrant images with a pop-art tone
Soft Focus Gives images a light, ethereal look and evokes a dreamy, mystical mood
Sensitivity
Auto ISO 100 - 1600
Manual ISO 100 - 1600 (adjustable in 1 EV steps)
Shutter
Shutter type Electronically controlled focal plane shutter
Shutter release Soft Touch Electromagnetic
Self timer 12 s / 2 s
Anti Shock Yes Release delay: 1 - 30 s
Shutter Speeds
Shutter speed range 1/4000 - 60 s
AUTO 1/4000 - 2 s
Shutter speed P, Ps 1/4000 - 60 s (up to 30 min in Bulb mode)
Shutter speed A priority 1/4000 - 60 s (up to 30 min in Bulb mode)
Shutter speed S priority 1/4000 - 60 s (up to 30 min in Bulb mode)
Shutter speed Manual 1/4000 - 60 s (up to 30 min in Bulb mode)
Shutter speed scene mode 1/4000 - 4 s
White Balance
AUTO WB system Advanced detection system with Live MOS sensor
Manual White balance (One-Touch) Yes
White balance adjustment +/- 7 in each A-B / G-M axis (in Auto WB, preset WB mode & one-touch WB)
Selectable steps in Kelvin 8 steps (3000 - 7500 K)
Overcast Yes
Shade Yes
Tungsten Yes
Sunlight Yes
Flash Yes
Flourescent 1 Yes
Flourescent 2 Yes
Flourescent 3 Yes
Sequence Shooting
Sequential shooting mode 3.5 fps / Up to card capacity in Large Normal mode
3.5 fps / 8 frames RAW
Image Processing
Colour space sRGB / AdobeRGB
Engine TruePic III+
Sharpness + Contrast 5 levels
Saturation 5 levels
Contrast 5 levels
Black & White filter Yellow, Orange, Red, Green
Black & White toning Sepia, Blue, Purple or Green in Black & White mode
Picture mode Vivid, Natural, Muted, Portrait, Black & White (default setting Natural).
Gradation 4 (auto, high key, normal, low key)
Internal Flash
Guide number 12 (ISO 100)
Flash compensation +/- 3 EV / 1/3 EV steps
Modes AUTO, Manual, Red-eye reduction, Slow synchronisation, Slow synchronisation 2nd curtain, Fill-in, Slow synchronisation with red-eye reduction, Off
External Flash Control
X-sync speed 1/180 s / 1/4000 s (Super FP Mode)
Type TTL auto FP/ TTL auto for Olympus dedicated flash, auto or manual.
Synchronisation modes Auto, Manual, Red-eye reduction, Slow syncro with red-eye reduction, Slow syncro, 2nd curtain and slow syncro, Fill-in for exclusive flash
Built-in flash and wireless flash control from the camera body
Compatible external flash FL-50R, FL-36R
Control method Triggered and controlled by built-in flash light
Modes TTL Auto (TTL pre-flash mode), Auto, Manual, FP TTL Auto, FP Manual
Group setting 3 groups
Number of channels 4 channels
LCD
Resolution 230000 dots
LCD type HyperCrystal II LCD
Monitor size 6.9 cm / 2.7 ''
Brightness adjustment 15 levels
Colour balance 15 levels
Super Control Panel
Displayed information  
Battery indicator Yes
Exposure mode Yes
Shutter speed Yes
Aperture value Yes
Exposure compensation value  
ISO Yes
Exposure compensation indication Yes
Metering mode Yes
Exposure level view Yes
Flash compensation value Yes
AE bracketing Yes
Colour space Yes
Picture mode Yes
Gradation Yes
Colour saturation compensation value Yes
Sharpness compensation value Yes
Contrast compensation value Yes
White balance Yes
White balance compensation value Yes
Noise reduction Yes
AEL notification Yes
Flash mode Yes
Focus mode Yes
AF frame Yes
Drive mode Yes
Record mode Yes
Number of storable frames Yes
Memory card Yes
Face detection Yes
Super Control Panel (Flash)
Displayed information  
Exposure mode Yes
Shutter speed Yes
Aperture value Yes
Exposure compensation indication Yes
Flash compensation value Yes
AEL notification Yes
Noise reduction Yes
Bracketing Yes
AF illuminator disactivated notification Yes
Colour space Yes
Wireless channel setting Yes
Built-in flash intensity Yes
Group settings Yes
View Images
Histogram in playback mode Yes
Zoom Yes 2-14 x
Index Yes 4, 9, 16, 25, 49, 100 frames
Slide show Yes
Shooting information Exposure mode, metering mode, shutter speed, aperture value, exposure compensation level, ISO, colour space, white balance mode, white balance compensation level, focal length, focus area, file type, picture mode, file name, image size, recorded card type.
Exposure level view Histogram (R,G,B available), High light point warning, Shadow point warning.
Rotation Yes
Erase / Protect / Copy Function
Erase modes Single, All, Selected
Image protect mode Single, Selected
Copy mode Single, All, Selected
Recording Formats
RAW 12 bit
RAW & JPEG Yes Parallel recording
JPEG Yes
Image Size
RAW 3648 x 2736 / 11 MB / frame
Large 3648 x 2736 Super Fine / 6.8 MB / frame
3648 x 2736 Fine (compression: 1/4) / 4.7 MB / frame
3648 x 2736 Normal (compression: 1/8) / 2.2 MB / frame
3648 x 2736 Basic (compression: 1/12) / 1.5 MB / frame
Middle 3200 x 2400 Super Fine / 5.3 MB / frame
3200 x 2400 Fine (compression: 1/4) / 3.7 MB / frame
3200 x 2400 Normal (compression: 1/8) / 1.7 MB / frame
3200 x 2400 Basic (compression: 1/12) / 1.1 MB / frame
2560 x 1920 Super Fine / 3.6 MB / frame
2560 x 1920 Fine (compression: 1/4) / 2.2 MB / frame
2560 x 1920 Normal (compression: 1/8) / 1.1 MB / frame
2560 x 1920 Basic (compression: 1/12) / 0.7 MB / frame
Small 1600 x 1200 Super Fine / 1.3 MB / frame
1600 x 1200 Fine (compression: 1/4) / 0.8 MB / frame
1600 x 1200 Normal (compression: 1/8) / 0.5 MB / frame
1600 x 1200 Basic (compression: 1/12) / 0.3 MB / frame
1280 x 960 Super Fine / 0.8 MB / frame
1280 x 960 Fine (compression: 1/4) / 0.5 MB / frame
1280 x 960 Normal (compression: 1/8) / 0.3 MB / frame
1280 x 960 Basic (compression: 1/12) / 0.2 MB / frame
1024 x 768 Super Fine / 0.5 MB / frame
1024 x 768 Fine (compression: 1/4) / 0.4 MB / frame
1024 x 768 Normal (compression: 1/8) / 0.2 MB / frame
1024 x 768 Basic (compression: 1/12) / 0.1 MB / frame
640 x 480 Super Fine / 0.2 MB / frame
640 x 480 Fine (compression: 1/4) / 0.2 MB / frame
640 x 480 Normal (compression: 1/8) / 0.1 MB / frame
640 x 480 Basic (compression: 1/12) / 0.1 MB / frame
Still Image Recording
EXIF 2.2
PIM III
DPOF Yes
DCF Yes
Image Editing
RAW data edit Yes
Shadow Adjustment Yes
Trimming Yes
Red-eye reduction Yes
Black & White Yes
Sepia Yes
Correction of saturation Yes
Resize Yes
Menu
Menu languages in camera English, German, French, Spanish, Italian, Russian, Czech, Dutch, Danish, Polish
Menu languages by download Additional one language from 15 further languages by download via the internet.
Customisation Options
Left arrow button Off, one-touch WB, test picture, preview, Live View, face detection
Drive button Drive, AF target selection, AF mode, WB mode, Metering mode, ISO setting
Custom preset options 2
Power Supply
Battery BLS-1 Li-Ion battery (included)
Battery life Approx. 500 shots with BLS-1 under CIPA testing standard.
Sleep mode 1, 3, 5, 10 min. and off selectable.
Environment
Temperature 0 - 40 °C operating temperature / -20 - 60 °C storage temperature
Humidity 30 - 90 % operation humidity / 10 - 90 % storage humidity
Size
Dimensions (W x H x D) 129.5 x 91 x 53 mm (without protrusions)
Weight 380 g (body only)
Interface
Media Dual slot for CompactFlash card (Type I and II), Microdrive and xD picture card
USB 2.0 High Speed Yes
Combined V & USB output Yes NTSC or PAL selectable
Infrared Yes

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