Nikon D750 Review

Image Quality
All of the sample images in this review were taken using the 24 megapixel Fine JPEG setting, which gives an average image size of around 15Mb.
Noise
The base sensitivity of the Nikon D750 is ISO 100 but you can go down to ISO 50 (L1.0) if you wish. At the other end of the scale, the highest native sensitivity of the Nikon D750 is ISO 12800 but two boosted settings, ISO 25,600 and ISO 51,200, are also available.
JPEG | RAW |
ISO 50 (100% Crop) |
ISO 50 (100% Crop) |
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ISO 100 (100% Crop) |
ISO 100 (100% Crop) |
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ISO 200 (100% Crop) |
ISO 200 (100% Crop) |
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ISO 400 (100% Crop) |
ISO 400 (100% Crop) |
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ISO 800 (100% Crop) |
ISO 800 (100% Crop) |
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ISO 1600 (100% Crop) |
ISO 1600 (100% Crop) |
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ISO 3200 (100% Crop) |
ISO 3200 (100% Crop) |
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ISO 6400 (100% Crop) |
ISO 6400 (100% Crop) |
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ISO 12800 (100% Crop) |
ISO 12800 (100% Crop) |
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HI 1EV (ISO 25600) (100% Crop) |
HI 1EV (ISO 25600) (100% Crop) |
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HI 2EV (ISO 51200) (100% Crop) |
HI 2EV (ISO 51200) (100% Crop) |
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Sharpening
The out-of-camera JPEGs often benefit from some sharpening in a program like Adobe Photoshop. Alternatively you can change the in-camera sharpening level to suit your tastes. Here are two pairs of 100% crops - the right-hand images have had some extra sharpening applied.
Original (100% Crop)
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Sharpened (100% Crop) |
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File Quality
The file quality settings available on the Nikon D750 include Basic, Normal and Fine for JPEGs, and the camera can also shoot 12- or 14-bit NEFs (Nikon's proprietary raw file format).
Fine (15Mb) (100% Crop)
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Normal (12.3Mb) (100% Crop) |
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Basic (5.95Mb) (100% Crop) |
Raw (27.6Mb) (100% Crop) |
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Flash
The Nikon D750 features a pop-up flash, with a guide number of 12 in metres at ISO 100. This little on-board Speedlight has a number of functions including front- and rear-curtain sync, red-eye reduction, i-TTL, Manual and Repeating Flash. Additionally, it can act as a trigger for up to two groups of wirelessly slaved system flashes, alleviating the need to buy an SU-800 commander unit or use a more expensive flashgun as the master.
Flash Off - Wide Angle (24mm) |
Flash On - Wide Angle (24mm) |
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Flash Off - Telephoto (85mm) |
Flash On - Telephoto (85mm) |
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As the shots below demonstrate, red-eye isn't a common problem with the built-in flash even if you don't use red-eye reduction.
Flash On |
Flash On (100% Crop) |
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Flash - Red-Eye Reduction |
Flash - Red-Eye Reduction (100% Crop) |
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Night
The Nikon D750 lets you dial in shutter speeds of up to 30 seconds and has a Bulb mode as well for exposure times of practically any length, which is very good news if you are seriously interested in night photography. There is an optional long-exposure noise reduction function that can be activated to filter out any hot pixels that may appear when extremely slow shutter speeds are used, though we found no need for this when taking the photograph below at a shutter speed of 30 seconds, aperture of f/11 at ISO 100.
Night |
Night (100% Crop) |
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Active D-lighting (ADL)
D-lighting is Nikon's dynamic range optimisation tool that attempts to squeeze the full dynamic range of the sensor into JPEGs. Active D-lighting works “on the fly”, before the in-camera processing engine converts the raw image data into JPEGs. The available settings are Off, Low, Normal, High and Extra High.
Off |
Low |
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Normal |
High |
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Extra High |
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HDR Capture
The Nikon D750 offers the ability to shoot two differently exposed images in rapid succession, which are then blended in-camera to form a single, high-dynamic-range image. Note that this feature is only available when shooting JPEG.
Low |
Normal |
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High |
Extra High |
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Picture Controls
Nikon's Picture Controls are akin to Canon's Picture Styles in being preset combinations of sharpening, contrast, brightness, saturation and hue. All Picture Controls can be tweaked to your liking, then saved and transferred to other cameras.
Standard |
Neutral |
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Portrait |
Vivid |
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Landscape |
Monochrome |
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Flat | |
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Crop Modes
The Nikon D750 is an FX camera but it can also shoot in one of two crop modes, including a “1.2x crop mode” and a “DX crop mode”. The boundaries of the cropped areas are denoted with thin black lines in the viewfinder, which otherwise continues to show the full FX view, allowing you to see what's happening outside the cropped frame - perfect for sports and action shooting.
FX 1.0 | 1.2x |
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DX 1.5x |
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Effects
The Effects shooting mode provides 7 different creative filters that can be applied to both still images and movies.
Night Vision |
Color Sketch |
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Miniature |
Selective Color |
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Silhouette |
High Key |
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Low Key |
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Sample Images
This is a selection of sample images from the Nikon D750 camera, which were all taken using the 24.3 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.
30/1s · f/2.8 · ISO 3200
15mm
Download Original
1/5s · f/9 · ISO 100
18mm
Download Original
1/400s · f/3.2 · ISO 1000
70mm
Download Original
1/800s · f/4 · ISO 640
65mm
Download Original
1/1250s · f/6.3 · ISO 5000
16mm
Download Original
1/2s · f/8 · ISO 100
24mm
Download Original
1/3s · f/8 · ISO 200
24mm
Download Original
1/6s · f/8 · ISO 400
24mm
Download Original
1/13s · f/8 · ISO 800
24mm
Download Original
1/25s · f/8 · ISO 1600
24mm
Download Original
1/50s · f/8 · ISO 3200
24mm
Download Original
1/100s · f/8 · ISO 6400
24mm
Download Original
1/200s · f/8 · ISO 12800
24mm
Download Original
1/400s · f/8 ·
24mm
Download Original
1/800s · f/8 ·
24mm
Download Original
1/250s · f/8 · ISO 100
24mm
Download Original
1/250s · f/8 · ISO 100
85mm
Download Original
1/320s · f/8 · ISO 100
24mm
Download Original
1/200s · f/8 · ISO 100
85mm
Download Original
1/200s · f/8 · ISO 100
24mm
Download Original
1/800s · f/8 · ISO 100
85mm
Download Original
1/250s · f/3.5 · ISO 100
24mm
Download Original
1/250s · f/4.5 · ISO 100
85mm
Download Original
1/100s · f/4.5 · ISO 110
85mm
Download Original
1/25s · f/11 · ISO 110
24mm
Download Original
1/100s · f/11 · ISO 100
85mm
Download Original
1/100s · f/11 · ISO 7200
85mm
Download Original
1/640s · f/4.5 · ISO 100
85mm
Download Original
1/400s · f/8 · ISO 100
24mm
Download Original
1/25s · f/8 · ISO 160
24mm
Download Original
1/400s · f/8 · ISO 100
24mm
Download Original
1/400s · f/8 · ISO 100
62mm
Download Original
1/100s · f/4.5 · ISO 450
85mm
Download Original
1/100s · f/4.5 · ISO 2000
85mm
Download Original
1/125s · f/4.5 · ISO 100
85mm
Download Original
1/100s · f/4.5 · ISO 110
85mm
Download Original
1/320s · f/8 · ISO 100
85mm
Download Original
1/320s · f/8 · ISO 100
24mm
Download Original
1/100s · f/8 · ISO 500
85mm
Download Original
1/100s · f/8 · ISO 280
85mm
Download Original
1/30s · f/11 · ISO 100
24mm
Download Original
1/80s · f/11 · ISO 125
72mm
Download Original
1/160s · f/11 · ISO 100
24mm
Download Original
1/200s · f/11 · ISO 100
58mm
Download Original
1/60s · f/11 · ISO 160
58mm
Download Original
1/250s · f/11 · ISO 100
24mm
Download Original
1/100s · f/11 · ISO 500
85mm
Download Original
1/200s · f/11 · ISO 100
62mm
Download Original
1/25s · f/8 · ISO 125
24mm
Download Original
1/80s · f/8 · ISO 110
68mm
Download Original
1/100s · f/8 · ISO 100
85mm
Download Original
1/100s · f/8 · ISO 100
24mm
Download Original
1/160s · f/8 · ISO 100
85mm
Download Original
1/160s · f/8 · ISO 100
85mm
Download Original
Sample RAW Images
The Nikon D750 enables users to capture RAW and JPEG format files. We've provided some Nikon RAW (NEF) samples for you to download (thumbnail images shown below are not 100% representative).
1/2s · f/8 · ISO 100
24mm
Download original
1/3s · f/8 · ISO 200
24mm
Download original
1/6s · f/8 · ISO 400
24mm
Download original
1/13s · f/8 · ISO 800
24mm
Download original
1/25s · f/8 · ISO 1600
24mm
Download original
1/50s · f/8 · ISO 3200
24mm
Download original
1/100s · f/8 · ISO 6400
24mm
Download original
1/200s · f/8 · ISO 12800
24mm
Download original
1/400s · f/8 ·
24mm
Download original
1/800s · f/8 ·
24mm
Download original
1/100s · f/4.5 · ISO 110
85mm
Download original
1/25s · f/11 · ISO 110
24mm
Download original
1/100s · f/11 · ISO 100
85mm
Download original
1/100s · f/11 · ISO 7200
85mm
Download original
1/100s · f/11 · ISO 160
85mm
Download original
1/400s · f/8 · ISO 100
24mm
Download original
1/100s · f/4.5 · ISO 450
85mm
Download original
1/100s · f/4.5 · ISO 2000
85mm
Download original
1/320s · f/8 · ISO 100
85mm
Download original
1/100s · f/8 · ISO 500
85mm
Download original
1/100s · f/8 · ISO 280
85mm
Download original
1/80s · f/11 · ISO 125
72mm
Download original
1/200s · f/11 · ISO 100
58mm
Download original
1/60s · f/11 · ISO 160
58mm
Download original
1/200s · f/11 · ISO 100
62mm
Download original
1/80s · f/8 · ISO 560
68mm
Download original
1/80s · f/8 · ISO 110
68mm
Download original
1/100s · f/8 · ISO 125
85mm
Download original
1/100s · f/8 · ISO 100
24mm
Download original
1/160s · f/8 · ISO 100
85mm
Download original
Sample Movie & Video
The Nikon D750 can record Full HD video in the MOV format. This is a sample movie at the highest quality setting of 1920x1280 pixels at 60 frames per second. Please note that this 20 second movie is 54.1Mb in size.
As of February 2025, we are no longer providing full size sample images or videos for download.
Please contact us if you have any feedback on our new policy.
Product Images
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Front of the Nikon D750 |
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Front of the Nikon D750 |
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Front of the Nikon D7500 / Flash Raised |
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Side of the Nikon D750 |
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Side of the Nikon D750 |
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Side of the Nikon D750 |
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Side of the Nikon D750 |
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Rear of the Nikon D750 |
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Rear of the Nikon D750 / Image Displayed |
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Rear of the Nikon D750 / Live View - Stills |
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Rear of the Nikon D750 / Live View - Movies |
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Rear of the Nikon D750 / Info Screen |
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Rear of the Nikon D750 / i Screen |
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Rear of the Nikon D750 / Main Menu |
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Rear of the Nikon D750 / Tilting LCD Screen |
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Rear of the Nikon D750 / Tilting LCD Screen |
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Rear of the Nikon D750 / Tilting LCD Screen |
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Top of the Nikon D750 |
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Bottom of the Nikon D750 |
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Side of the Nikon D750 |
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Side of the Nikon D750 |
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Side of the Nikon D750 |
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Front of the Nikon D750 |
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Front of the Nikon D750 |
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Memory Card Slot |
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Battery Compartment |
Conclusion
Combining the design and handling of the cheaper D610 with many of the more expensive D810's features, Nikon have clearly positioned the new full-frame D750 between the two. Do you like the compactness, handling and smaller 24-megapixel files of the D610 but want the better features (especially on the video side) of the D810? Then the D750 is an obvious choice, especially when you consider that it also offers built-in wi-fi, a tilting LCD screen, 6.5fps continuous shooting, even lower-light auto-focusing and longer battery life. Having said that, the small 15-shot RAW buffer, limited 1/200th sec flash sync speed, the inclusion of an OLPF / anti-aliasing filter, the more consumer D610 handling, the non-rotating screen, and no built-in GPS are all reasons why you might opt for the D610 or D800 instead - the choice between these three cameras certainly isn't as clear as Nikon would have you think.
Despite the surprise inclusion of an anti-aliasing filter, the Nikon D750 still captures an astonishing amount of detail, without the storage and workflow overheads of the D810's massive file sizes. You'd be hard-pushed to tell any difference between the D750 and the D610 (which doesn't have an OLPF), with the former offering lower noise at higher sensitivities than its cheaper sibling. In terms of still image quality, the Nikon D750 definitely hits the sweet spot.
In terms of the Nikon D750's main rivals, wildlife and sports enthusiasts would perhaps be better served by the equally new Canon EOS 7D Mark II, which offers much faster 10fps continuous shooting, longer reach thanks to its 1.5x APS-C sensor, and a more advanced AF system, while the venerable Canon EOS 5D Mark III is still worth considering too.
In summary, the new D750 is an excellent addition to Nikon's ever-expanding full-frame line-up. It isn't a true successor to the 6-year-old D700, or just a cheaper, less well-specified version of the D810 - instead, the D750 is a compelling camera in its own right that actually out-performs the D810 in some areas. It's fair to say that loyal Nikon owners have never been so spoilt for choice, unless you're a die-hard Nikon DX user (that's another story!)...
Ratings (out of 5) | |
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Design | 4.5 |
Features | 4.5 |
Ease-of-use | 4 |
Image quality | 5 |
Value for money | 4.5 |
Main Rivals
Listed below are some of the rivals of the Nikon D750.
Canon EOS 5D Mark III
The long-awaited Canon EOS 5D Mark III DSLR has finally arrived, boasting improvements to virtually every aspect of its popular predecessor, the breakthrough 5D Mark II. It's cost has also increased significantly, so does the new 5D Mark III offer enough to justify the £2999 / $3499 asking price? Read our detailed Canon EOS 5D Mark III review to find out.
Canon EOS 6D
The Canon EOS 6D is a new full-frame DSLR with a much more affordable price-tag than the 5D Mark III and a few tricks up its sleeve that its bigger brother doesn't offer. At over £1000 / $1000 cheaper than the 5D Mark II, have Canon cut too many corners for the 6D to be a real contender? Read our in-depth Canon EOS 6D review to find out...
Nikon D610
The Nikon D610 is a new full-frame DSLR camera that updates last year's D600 with a new shutter mechanism, faster 6fps burst shooting and a new Quiet Release Burst mode, and an improved auto white balance system. The D610 retains the same 24.3 megapixel full-frame sensor, 1080p HD video, ISO range of 50-25600, a 39-point AF system, 3.2-inch LCD screen and a viewfinder with 100% coverage as its predecessor. Read our in-depth Nikon D610 review now...
Nikon D810
The Nikon D810 is a brand new 36 megapixel full-frame sensor DSLR camera with no optical low pass filter. The D810 also offers 1080/60p HD video, a 3.2-inch LCD screen, an optical viewfinder with 100% coverage and 5fps burst shooting. Read our in-depth Nikon D810 review to find out if it can emulate the success of the previous D800/E cameras...
Nikon Df
The Nikon Df is a modern digital SLR that harks back to the film past, offering a retro design with a plethora of manual controls, whilst completely removing modern innovations like video recording and a pop-up flash. Find out if less really is more in our in-depth Nikon Df review...
Panasonic Lumix DMC-GH4
The Panasonic Lumix DMC-GH4 is the first compact system camera to offer 4K video shooting. The exciting GH4 also features a 16 megapixel sensor, 12fps burst shooting, 3 inch swivelling touchscreen, electronic viewfinder, built-in wi-fi and NFC connectivity, a weather-proof body, and an extensive ISO range of 100-25600. Read our in-depth Panasonic Lumix DMC-GH4 review complete with with sample photos, test shots, videos and more...
Sony A7
The Sony A7 is the second mirrorless camera in the World to offer a full-frame sensor, but this time it's a slightly more modest 24 megapixels, rather than the A7R's 36 megapixels. The cheaper Sony A7 also offers a more innovative and potentially quicker hybrid AF system, faster flash sync and burst shooting speeds, and a quieter electronic shutter. Is the Sony A7 just as good as its big brother? Read our Sony A7 review to find out...
Sony A7R
Big sensor in a small body - that's the USP of the new Sony A7R camera. Offering a 35mm full-frame sensor inside a relatively compact body that takes interchangeable lenses, the A7R is a truly unique and genuinely exciting proposition. Is the Sony A7R the ultimate fusion of DSLR technology and compact system camera size? Read our Sony A7R review to find out...
Sony A7S
The new Sony A7S compact system camera offers an incredible ISO range of ISO 50-409,600, 15-stops of dynamic range when shooting RAW, and 12.2 megapixels on a 35mm full-frame sensor. Add in 4K and XAVC video recording, a truly silent shooting mode, and AF performance in light as low as EV-4, and it's clear that the Sony A7S could be one of the most exciting cameras of 2014. Find out how it really performs in our in-depth Sony A7S review...
Sony A99
The Sony A99 is a new full-frame DSLR camera that seemingly offers virtually all of the latest cutting-edge technologies. The A99 is also the only full-frame camera that isn't made by the Big Two, Canon and Nikon, who both now have three full-frame models in their ranges. Can the A99 compete with the well-established competition? Read our in-depth Sony A99 review to find out...
Review Roundup
Reviews of the Nikon D750 from around the web.
ephotozine.com »
The Nikon D750 is the latest enthusiasts / advanced amatuer Digital SLR from Nikon, and features a 24.3 megapixel full-frame sensor, 6.5fps continuous shooting, built in Wi-Fi, a compact weather-sealed body, and a tilting 3.2inch screen. The camera is available for £1799 body only. The Nikon D750 is positioned above the Nikon D610, which remains on the market.
Read the full review »
neocamera.com »
The Nikon D750 starts a new line of full-frame HD-DSLR, one which is optimized for video above photography. This is obviously a serious turn for Nikon and one which is aimed at grabbing hold of the video market using technology primarily developed for photography.
Read the full review »
Specifications
Type | Single-lens reflex digital camera |
Lens mount | Nikon F mount (with AF coupling and AF contacts) |
Effective angle of view | Nikon FX format |
Image sensor | 35.9 x 24.0 mm CMOS |
Total pixels | 24.93 million |
Dust-reduction system | Image sensor cleaning, Image Dust Off reference data (Capture NX-D software required) |
Effective pixels | 24.3 million |
Image size (pixels) | FX (36x24) image area: (L) 6016 x 4016, (M) 4512 x 3008, (S) 3008 x 2008. 1.2x (30x20) image area: (L) 5008 x 3336, (M) 3752 x 2504, (S) 2504 x 1664. DX (24x16) image area: (L) 3936 x 2624, (M) 2944 x 1968, (S) 1968 x 1312. FX-format photographs taken in movie live view: (L) 6016 x 3376, (M) 4512 x 2528, (S) 3008 x 1688. DX-format photographs taken in movie live view: (L) 3936 x 2224, (M) 2944 x 1664, (S) 1968 x 1112. Note: Photographs taken in movie live view have an aspect ratio of 16 : 9. The camera offers a choice of DX- and FX-based formats. |
Storage file formats | NEF (RAW): 12 or 14 bit, lossless compressed or compressed. JPEG: JPEG-Baseline compliant with fine (approx. 1 : 4), normal (approx. 1 : 8), or basic (approx. 1 : 16) compression (Size priority); Optimal quality compression available. NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats |
Picture Control System | Standard, Neutral, Vivid, Monochrome, Portrait, Landscape, Flat; selected Picture Control can be modified; storage for custom Picture Controls |
Media | SD, SDHC (UHS-I compliant), SDXC (UHS-I compliant) |
Dual card slot | Slot 2 can be used for overflow or backup storage or for separate storage of copies created using NEF+JPEG; pictures can be copied between cards. |
File system | DCF 2.0, DPOF, Exif 2.3, PictBridge |
Viewfinder | Eye-level pentaprism single-lens reflex viewfinder |
Frame coverage | FX (36x24): Approx. 100% horizontal and 100% vertical. 1.2x (30x20): Approx. 97% horizontal and 97% vertical. DX (24x16): Approx. 97% horizontal and 97% vertical |
Magnification | Approx. 0.7x (50 mm f/1.4 lens at infinity, –1.0 m-1) |
Eyepoint | 21 mm (–1.0 m-1; from center surface of viewfinder eyepiece lens) |
Diopter adjustment | –3 – +1 m-1 |
Focusing screen | Type B BriteView Clear Matte Mark III screen with AF area brackets (framing grid can be displayed) |
Reflex mirror | Quick-return type |
Depth-of-field preview | Yes. Pressing Pv button stops lens aperture down to value selected by user (A and M modes) or by camera (other modes) |
Lens aperture | Instant return, electronically controlled |
Compatible lenses | Compatible with AF NIKKOR lenses, including type G, E, and D lenses (some restrictions apply to PC lenses) and DX lenses (using DX 24 x 16 1.5x image area), AI-P NIKKOR lenses, and non-CPU AI lenses (A and M modes only). IX NIKKOR lenses, lenses for the F3AF, and non-AI lenses can not be used. The electronic rangefinder can be used with lenses that have a maximum aperture of f/5.6 or faster (the electronic rangefinder supports the 11 focus points with lenses that have a maximum aperture of f/8 or faster). |
Shutter type | Electronically-controlled vertical-travel focal-plane shutter |
Shutter speed | 1/4000 – 30 s in steps of 1/3 or 1/2 EV, bulb, time, X200 |
Flash sync speed | X=1/200 s; synchronizes with shutter at 1/250 s or slower (flash range drops at speeds between 1/200 and 1/250 s) |
Release mode | S (single frame), CL (continuous low speed), CH (continuous high speed), Q (quiet shutter-release), Self-timer, MUP (mirror up), Qc (quiet continuous shutter-release) |
Frame advance rate | Approx. 6 fps, 1–6 fps (CL), 6.5 fps (CH) or 3 fps (Qc) |
Self-timer | 2 s, 5 s, 10 s, 20 s; 1–9 exposures at intervals of 0.5, 1, 2, or 3 s |
Remote release modes | Delayed remote, quick-response remote, remote mirror-up (ML-L3) |
Exposure metering | TTL exposure metering using RGB sensor with approximately 91K (91,000) pixels |
Metering method | Matrix: 3D colour matrix metering III (type G, E, and D lenses); colour matrix metering III (other CPU lenses); colour matrix metering available with non-CPU lenses if user provides lens data. Center-weighted: Weight of approximately 75% given to 12 mm circle in center of frame. Diameter of circle can be changed to 8, 15, or 20 mm, or weighting can be based on average of entire frame (non-CPU lenses use 12-mm circle). Spot: Meters 4 mm circle (about 1.5% of frame) centered on selected focus point (on center focus point when non-CPU lens is used). Highlight-weighted: Available with type G, E, and D lenses; equivalent to center-weighted when other lenses are used. |
Metering range (ISO 100, f/1.4 lens, 20 °C/68 °F) | Matrix, center-weighted, or highlight-weighted metering: 0–20 EV. Spot metering: 2–20 EV |
Exposure meter coupling | CPU, AI |
Mode | Auto modes (auto; auto (flash off)); scene modes (portrait; landscape; child; sports; close up; night portrait; night landscape; party/indoor; beach/snow; sunset; dusk/dawn; pet portrait; candlelight; blossom; autumn colours; food); special effects modes (night vision; colour sketch; miniature effect; selective colour; silhouette; high key; low key); programmed auto with flexible program (P); shutter-priority auto (S); aperture-priority auto (A); manual (M); U1 (user settings 1); U2 (user settings 2) |
Exposure compensation | Can be adjusted by –5 – +5EV, in steps of 1/3 or 1/2 EV, in P, S, A, M, SCENE, and night vision modes |
Exposure bracketing | 2 – 9 frames, in steps of 1/3, 1/2, 2/3, or 1 EV, 2–5 frames in steps of 2 or 3 EV |
Exposure lock | Luminosity locked at detected value with AE-L/AF-L button |
ISO sensitivity | ISO 100 – 12800 in steps of 1/3 or 1/2 EV. Can also be set to approx. 0.3, 0.5, 0.7 or 1 EV (ISO 50 equivalent) below ISO 100 or to approx. 0.3, 0.5, 0.7, 1 or 2 EV (ISO 51200 equivalent) above ISO 12800; auto ISO sensitivity control available |
Active D-Lighting | Auto, Extra high, High, Normal, Low, Off |
ADL bracketing | 2 frames using selected value for one frame or 3–5 frames using preset values for all frames |
Autofocus | Nikon Advanced Multi-CAM 3500 II autofocus sensor module with TTL phase detection, fine-tuning, 51 focus points (including 15 cross-type sensors; f/8 supported by 11 sensors), and AF-assist illuminator (range approx. 0.5–3 m/1 ft 8 in.–9 ft 10 in.) |
Detection range | –3 – +19 EV (ISO 100, 20 °C/68 °F) |
Lens servo | Autofocus (AF): Single-servo AF (AF-S), Continuous-servo AF (AF-C), Auto AF-S/AF-C selection (AF-A); predictive focus tracking activated automatically according to subject status. Manual focus (M): Electronic rangefinder can be used |
Focus points | Can be selected from 51 or 11 focus points |
AF-area mode | Single-point AF; 9-, 21-, or 51-point dynamic-area AF, 3D-tracking, group-area AF, auto-area AF |
Focus lock | Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing AE-L/AF-L button |
Built-in flash | Auto, portrait, child, close up, night portrait, party/indoor, pet portrait, colour sketch: Auto flash with auto pop-up P, S, A, M, food: Manual pop-up with button release |
Guide Number | Approx. 12/39, 12/39 with manual flash (m/ft, ISO 100, 20 °C/68 °F) |
Flash control | TTL: i-TTL flash control using RGB sensor with approximately 91K (91,000) pixels is available with built-in flash; i-TTL balanced fill-flash for digital SLR is used with matrix, center-weighted, and highlight-weighted metering, standard i-TTL flash for digital SLR with spot metering |
Flash modes | Auto, auto with red-eye reduction, auto slow sync, auto slow sync with red-eye reduction, fill-flash, red-eye reduction, slow sync, slow sync with red-eye reduction, rear-curtain with slow sync, rear-curtain sync, off; Auto FP High-Speed Sync supported |
Flash compensation | -3 – +1 EV in steps of 1/3 or 1/2 EV |
Flash bracketing | 2 – 9 frames in steps of 1/3, 1/2, 2/3 or 1 EV. 2–5 frames in steps of 2 or 3 EV |
Flash-ready indicator | Lights when built-in flash or optional flash unit is fully charged; blinks after flash is fired at full output |
Accessory shoe | ISO 518 hot-shoe with sync and data contacts and safety lock |
Nikon Creative Lighting System | Nikon CLS supported; commander mode option available |
Sync terminal | AS-15 sync terminal adapter (available separately) |
White balance | Auto (2 types), incandescent, fluorescent (7 types), direct sunlight, flash, cloudy, shade, preset manual (up to 6 values can be stored, spot white balance measurement available during live view), choose colour temperature (2500 K–10000 K), all with fine-tuning |
White balance bracketing | 2–3 frames in steps of 1, 2 or 3 |
Live View - Modes | Live view photography (still images), Movie live view (movies) |
Live view - lens servo | Autofocus (AF): Single-servo AF (AF-S); full-time servo AF (AF-F). Manual focus (M) |
Live view - AF-area mode | Face-priority AF, Wide-area AF, Normal-area AF, Subject-tracking AF |
Live view - autofocus | Contrast-detect AF anywhere in frame (camera selects focus point automatically when face-priority AF or subject-tracking AF is selected) |
Movie - metering | TTL exposure metering using main image sensor |
Movie - metering method | Matrix, center-weighted, or highlight-weighted |
Movie - frame size (pixels) and frame rate | 1920 x 1080; 60 p (progressive), 50 p, 30 p, 25 p, 24 p. 1280 x 720; 60 p, 50 p. Actual frame rates for 60 p, 50 p, 30 p, 25 p and 24 p are 59.94, 50, 29.97, 25 and 23.976 fps respectively; options support both high and normal image quality |
Movie - file format | MOV |
Movie - video compression | H.264/MPEG-4 Advanced Video Coding |
Movie - audio recording format | Linear PCM |
Movie - audio recording device | Built-in or external stereo microphone; sensitivity adjustable |
Monitor | 8 cm (3.2–in.) diagonal. Low-temperature polysilicon tilting TFT LCD with approx. 170° viewing angle, approx. 100% frame coverage, and brightness and angle adjustment. Approx. 1229k-dot (VGA; 640 x RGBW x 480 = 1,228,800 dots) |
Playback | Full-frame and thumbnail (4, 9 or 72 images or calendar) playback with playback zoom, movie playback, photo and/or movie slide shows, histogram display, highlights, photo information, location data display, and auto image rotation |
USB | Hi-Speed USB; connection to built-in USB port is recommended |
HDMI output | Type C HDMI connector |
Audio input | Stereo mini-pin jack (3.5 mm diameter; plug-in power supported) |
Audio output | Stereo mini-pin jack (3.5 mm diameter) |
Accessory terminal(s) | Wireless remote controllers: WR-1, WR-R10 (available separately). Remote cord: MC-DC2 (available separately). GPS unit: GP-1/GP-1A (available separately) |
Wi-Fi (Wireless LAN) standards | IEEE 802.11b, IEEE 802.11g |
Wi-Fi (Wireless LAN) communications protocols | IEEE 802.11b: DSSS/CCK IEEE 802.11g: OFDM |
Wi-Fi (Wireless LAN) operating frequency | 2412–2462 MHz (channels 1–11) |
Wi-Fi (Wireless LAN) range (line of sight) | Approximately 30 m/98 ft (assumes no interference; range may vary with signal strength and presence or absence of obstacles) |
Wi-Fi (Wireless LAN) data rates (actual measured values) | 54 Mbps. Maximum logical data rates according to IEEE standard. Actual rates may differ. |
Wi-Fi (Wireless LAN) security | Authentication: Open system, WPA2-PSK. Encryption: AES |
Wi-Fi (Wireless LAN) access protocols | Infrastructure |
Supported languages | Arabic, Bengali, Bulgarian, Chinese (Simplified and Traditional), Czech, Danish, Dutch, English, Finnish, French, German, Greek, Hindi, Hungarian, Indonesian, Italian, Japanese, Korean, Marathi, Norwegian, Persian, Polish, Portuguese (Portugal and Brazil), Romanian, Russian, Serbian, Spanish, Swedish, Tamil, Telugu, Thai, Turkish, Ukrainian, Vietnamese |
Battery | One EN-EL15 rechargeable Li-ion battery |
Battery pack | Optional MB-D16 multi-power battery pack with one Nikon EN-EL15 rechargeable Li-ion battery or six AA alkaline, Ni-MH or lithium batteries |
AC adapter | EH-5b AC adapter; requires EP-5B power connector (available separately) |
Tripod socket | 1/4–in. (ISO 1222) |
Dimensions (W x H x D) | Approx. 140.5 x 113 x 78 mm (5.6 x 4.5 x 3.1 in.) |
Weight | Approx. 840 g (1 lb 13.7 oz), with battery and memory card but without body cap; approx. 750 g (1 lb 10.5 oz; camera body only) |
Operating environment - temperature | 0 °C – 40 °C (+32 °F – 104 °F) |
Operating environment - humidity | 85% or less (no condensation) |
Supplied accessories | Rubber Eyecup DK-21, Body Cap BF-1B, Rechargeable Li-ion Battery EN-EL15 with terminal cover, Battery Charger MH-25a (comes with either an AC wall adapter or power cable of a type and shape that varies with the country or region of sale), Eyepiece Cap DK-5, USB Cable UC-E17, Strap AN-DC14, ViewNX 2 installer |
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