Introduction

Ease of Use

The Nikon AF-S Nikkor 24mm f/1.8G ED is a fairly compact and lightweight full-frame wide-angle prime lens, weighing in at 355g. While you can use it on a DX body for a 36mm equivalent angle of view, it won't balance quite so well. As demonstrated by the images below, it's better suited to a camera like the professional-grade, full-frame D810, where it feels more at home.

The Nikon AF-S Nikkor 24mm f/1.8G ED lens mounted on a Nikon D810

The Nikon AF-S Nikkor 24mm f/1.8G ED lens mounted on a Nikon D810

 

The Nikon AF-S Nikkor 24mm f/1.8G ED lens mounted on a Nikon D810

The Nikon AF-S Nikkor 24mm f/1.8G ED lens alongside a Nikon D810

Build quality is very good. The Nikon AF-S Nikkor 24mm f/1.8G ED feels solid in your hand, even if the outer barrel and the filter thread appear to be plastic. The focusing ring is just as wide as it needs to be, and has a ridged, rubberised grip band. As this is a G series lens, it has no aperture ring – no big deal unless you wanted to use it on a very old film body.

Side of the Nikon AF-S Nikkor 24mm f/1.8G ED lens

Front of the Nikon AF-S Nikkor 24mm f/1.8G ED lens

Rear of the Nikon AF-S Nikkor 24mm f/1.8G ED lens

The Nikon AF-S Nikkor 24mm f/1.8G ED features a distance scale complete with a DOF scale, although the latter is of limited use, having markings for f/16 only.

Front of the Nikon AF-S Nikkor 24mm f/1.8G ED lens

Rear of the Nikon AF-S Nikkor 24mm f/1.8G ED lens

The Nikon AF-S Nikkor 24mm f/1.8G ED lens in-hand

Since the Nikon AF-S Nikkor 24mm f/1.8G ED does not have Vibration Reduction, the only control on the lens barrel is a focus mode switch with the usual M/A and M settings.

Note that the Nikon AF-S Nikkor 24mm f/1.8G ED is not sealed against dust and moisture.

The Nikon AF-S Nikkor 24mm f/1.8G ED lens with the supplied lens hood fitted

The lens ships with the dedicated petal-shaped HB-76 hood, and the CL-1015 Flexible Lens Pouch.

Auto-focus

The Nikon 24mm f1.4 features a Silent Wave Motor (SWM) that allows near-silent auto-focusing on all Nikon DSLRs. Importantly, this solution allows instant manual override even when the focus mode switch is in the M/A position. Focusing is fully internal, meaning the length of the lens always remains constant.

In use, we found the focusing to be indeed very quiet, and pretty fast – but definitely not instantaneous –, with the lens mounted to a Nikon D810 body.

Chromatic Aberrations

Chromatic aberrations, typically seen as purple or blue fringes along contrasty edges, are impressively well controlled with this lens.

Light Fall-off

With the lens wide open, you can see some very noticeable light fall-off in the corners. Stopping down helps, although to completely get rid of this phenomenon, you will need to use an f-stop of f/5.6 or smaller.

Macro

The Nikon AF-S Nikkor 24mm f/1.8G ED is not a macro lens, but usefully the close-focus point is at 23cm from the film/sensor plane. The following example illustrates how close you can get to the subject, in this case a CompactFlash card.

Close-up performance

Bokeh

Bokeh is a word used for the out-of-focus areas of a photograph, and is usually described in qualitative terms, such as smooth / creamy / harsh etc. The Nikon AF-S Nikkor 24mm f/1.8G ED has an iris diaphragm with 7 rounded blades for a pleasing rendering of the out-of-focus highlights. Below you'll find some examples, but you are also encouraged to check out our sample images.

Sharpness

In order to show you how sharp this lens is, we are providing 100% crops on the following page.