Fujifilm FinePix S200EXR Review

October 16, 2009 | Mark Goldstein | Rating star Rating star Rating star Rating star Half rating star

Image Quality

All of the sample images in this Review were taken using the 12 megapixel Fine JPEG setting, which gives an average image size of around 4Mb.

The Fujifilm FinePix S200EXR produced images of excellent quality during the review period. The 12 megapixel sensor produces noise-free images at ISO 100-400, with some limited noise starting to appear at ISO 800. ISO 1600 exhibits fairly visible noise and loss of fine detail but is still very usable, while the fastest 3200 setting is even noisier. The fastest but reduced-resolution settings of ISO 6400 and 12800 aren't really worth using.

Setting the camera to EXR - High ISO & Low Noise Mode produces slightly less noisy images at each equivalent setting, but the image resolution drops to 6 megapixels, the range is only 100-1600, and to be honest the difference between the two modes isn't as pronounced as we'd have hoped. The D-Range Priority (DR) mode is much more successful, resulting in images that have noticeably more dynamic range that those shot in the Resolution Priority (HR) mode, and far surpassing most other compact cameras. If you want to shoot images that retain detail in both the highlight and shadow areas, this mode and this camera are made for you. The new Pro Focus and Pro Low Light modes are useful additions, although their reliance on combining multiple exposures limits their versatility.

The S200EXR suffered from chromatic aberrations, with obvious purple fringing effects appearing in high contrast situations. The zoom lens also exhibited fairly obvious barrel distortion at the 30.5mm wide-angle setting. The pop-up flash worked well indoors, with no red-eye and adequate exposure. The night photograph was good, with the maximum shutter speed of 30 seconds allowing you to capture enough light in most situations. Anti-shake works very well when hand-holding the camera in low-light conditions or when using the telephoto end of the 14.3x zoom range. Macro performance is excellent, allowing you to focus as close as 1cm away from the subject. The images were a little soft straight out of the camera and ideally require further sharpening in an application like Adobe Photoshop, although you can also change the in-camera setting if you don't like the default results.

Noise

There are 6 ISO settings available on the Fujifilm FinePix S200EXR. Here are some 100% crops which show the noise levels for each ISO setting. On the right are 100% crops showing the ISO range of the EXR - High ISO & Low Noise mode, which captures 6 megapixel images from a more limited ISO range of 100-1600.

Program Mode EXR - High ISO & Low Noise Mode

ISO 100 (100% Crop)

ISO 100 (100% Crop)

   

ISO 200 (100% Crop)

ISO 200 (100% Crop)

   

ISO 400 (100% Crop)

ISO 400 (100% Crop)

   

ISO 800 (100% Crop)

ISO 800 (100% Crop)

   

ISO 1600 (100% Crop)

ISO 1600 (100% Crop)

   

ISO 3200 (100% Crop)

 
 
   

ISO 6400 (100% Crop)

 
 
   

ISO 12800 (100% Crop)

 
 

Focal Range

The Fujifilm FinePix S200EXR's 14.3x zoom lens offers a very versatile focal range, as illustrated by these examples:

30.5mm

436mm

Sharpening

Here are two 100% crops which have been Saved as Web - Quality 50 in Photoshop. The right-hand image has had some sharpening applied in Photoshop. The out-of-the camera images are a little soft and ideally benefit from some further sharpening in a program like Adobe Photoshop. You can also change the in-camera sharpening level.

Original (100% Crop)

Sharpened (100% Crop)

   

Chromatic Aberrations

The Fujifilm FinePix S200EXR handled chromatic aberrations fairly well during the review, with some purple fringing present around the edges of objects in high-contrast situations, as shown in the examples below.

Example 1 (100% Crop)

Example 2 (100% Crop)

Macro

The Fujifilm FinePix S200EXR offers a Super Macro setting that allows you to focus on a subject that is just 1cm away from the camera when the lens is set to wide-angle. The first image shows how close you can get to the subject (in this case a compact flash card). The second image is a 100% crop.

Macro Shot

100% Crop

Flash

The flash settings on the Fujifilm FinePix S200EXR are Auto, Forced Flash, Suppressed Flash, Slow Synchro, Red-eye Reduction Auto, Red-eye Reduction & Forced Flash and Red-eye Reduction & Slow Synchro. These shots of a white coloured wall were taken at a distance of 1.5m.

Suppressed Flash - Wide Angle (30.5mm)

Forced Flash - Wide Angle (30.5mm)

ISO 64 ISO 64
   

Suppressed Flash - Telephoto (436mm)

Forced Flash - Telephoto (436mm)

ISO 64 ISO 64

And here are some portrait shots. As you can see, neither the Forced Flash setting or the Red-Eye Correction option caused any red-eye.

Forced Flash

Forced Flash (100% Crop)
   

Red-eye Reduction Auto

Red-eye Reduction Auto (100% Crop)

Night Shot

The Fujifilm FinePix S200EXR's maximum shutter speed is 30 seconds in the Manual mode, which is excellent news if you're seriously interested in night photography. The shot below was taken using a shutter speed of 20 seconds at f/8 at ISO 100. I've included a 100% crop of the image to show what the quality is like.

Night Shot

Night Shot (100% Crop)

Anti Shake

The Fujifilm FinePix S200EXR has an anti-shake mechanism, which allows you to take sharp photos at slower shutter speeds than other digital cameras. To test this, I took 2 handheld shots of the same subject with the same settings. The first shot was taken with anti shake turned off, the second with it turned on. Here are some 100% crops of the images to show the results. As you can see, with anti shake turned on, the images are much sharper than with anti shake turned off. This feature really does seem to make a difference and could mean capturing a successful, sharp shot or missing the opportunity altogether.

Shutter Speed / Focal Length

Anti Shake Off (100% Crop)

Anti Shake On (100% Crop)

1/5th / 30.5mm
1/5th / 436mm

EXR Mode

The Fujifilm FinePix S200EXR's offers three EXR options. Resolution Priority (HR) mode uses all 10 megapixels to capture the highest resolution image. High ISO & Low Noise (SN) mode combines adjacent pixels to create larger photodiodes and improve low-light quality in the resulting 5 megapixel image. D-Range Priority (DR) mode simultaneously takes two images and then combines them to produce a 5 megapixel image with increased dynamic range. Here are 2 examples which were shot using each EXR mode, with links to the original full size images, 100% crops and histograms.

 

Example 1

 

Resolution Priority (HR)

High ISO & Low Noise (SN)

D-Range Priority (DR)

Full Size Image

Full Size Image

Full Size Image

     

100% Crop

100% Crop

100% Crop

     

Histogram

Histogram

Histogram

 

 

Example 2

 

Resolution Priority (HR)

High ISO & Low Noise (SN)

D-Range Priority (DR)

Full Size Image

Full Size Image

Full Size Image

     

100% Crop

100% Crop

100% Crop

     

Histogram

Histogram

Histogram

Dynamic Range

When the Fujifilm FinePix S200EXR is in EXR - D-Range Priority (DR) mode, you can set the Dynamic Range to either 100%, 200%, 400% or 800%, or Auto.

When the camera is in the Program / Aperture-priority or Manual shooting modes, you can set the Dynamic Range to between 100%, 200% or 400%, but the full range is only available if the ISO speed is also increased (ISO 100 only allows 100%, ISO 200 allows 100% and 200%, and ISO 400 allows 100%, 200% and 400%).

Here is an example which was shot using EXR - D-Range Priority (DR) mode at each % level, with links to the original full size images and histograms.

100%

200%

Full Size Image

Full Size Image

   

Histogram

Histogram

   

400%

800%

Full Size Image

Full Size Image

   

Histogram

Histogram

Pro Focus

The Fujifilm FinePix S200EXR's Pro Focus scene mode creates images with a shallow depth of field, with the camera taking a rapid series of exposures at different focal points and aligning them to produce a single frame showing a sharply focused subject against a soft, out-of-focus background.

Pro Focus Off

Pro Focus On

Pro Low-Light

The Fujifilm FinePix S200EXR's Pro Low-Light scene mode produces better image clarity at high ISO levels, with the camera taking a series of four high sensitivity/low-noise shots in quick succession which are then combined together using in-camera processing into an image with less noise than the single exposures.

Pro Low-Light

Pro Low-Light (100% Crop)

Sample Images

This is a selection of sample images from the Fujifilm FinePix S200EXR camera, which were all taken using the 12 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.

Sample RAW Images

The Fujifilm FinePix S200EXR enables users to capture RAW and JPEG format files. We've provided some Fujifilm RAW (RAF) samples for you to download (thumbnail images shown below are not 100% representative).

Sample Movie & Video

This is a sample movie at the quality setting of 640x480 at 30 frames per second. Please note that this 21 second movie is 23.2Mb in size.

As of February 2025, we are no longer providing full size sample images or videos for download.

Please contact us if you have any feedback on our new policy.

Product Images

Fujifilm FinePix S200EXR

Front of the Camera

 
Fujifilm FinePix S200EXR

Front of the Camera / Pop-up Flash

 
Fujifilm FinePix S200EXR

Isometric View

 
Fujifilm FinePix S200EXR

Isometric View

 
Fujifilm FinePix S200EXR

Rear of the Camera

 
Fujifilm FinePix S200EXR

Rear of the Camera / Turned On

 
Fujifilm FinePix S200EXR

Rear of the Camera / Image Displayed

 
Fujifilm FinePix S200EXR

Rear of the Camera / Main Menu

 
Fujifilm FinePix S200EXR

Rear of the Camera / EXR Menu

 

Fujifilm FinePix S200EXR

Top of the Camera

 
Fujifilm FinePix S200EXR

Bottom of the Camera

 
Fujifilm FinePix S200EXR

Side of the Camera

 
Fujifilm FinePix S200EXR

Side of the Camera

 
Fujifilm FinePix S200EXR

Front of the Camera

 
Fujifilm FinePix S200EXR

Front of the Camera

 
Fujifilm FinePix S200EXR

Battery Compartment

 
Fujifilm FinePix S200EXR

Memory Card Slot

Conclusion

The FinePix S200EXR builds on the successful design of the previous S100FS with the logical addition of Fujifilm's exciting EXR technology, although we miss the tiltable LCD screen and slightly wider-angle lens of its predecessor.

The S200EXR is one of the best bridge-style cameras that we've reviewed, with the manual zoom and focus rings almost replicating a true DSLR experience. If you want the handling of a DSLR but can't stomach the expense of buying extra lenses or the bulk of a comparable system, then the S200EXR is almost the perfect match. It's certainly not the most portable super-zoom around, but that just adds to the general feeling of excellent build quality and well-thought-out design. As with the virtually identical S100FS, the design and layout can't really be faulted, save for that slightly stiff and tricky to turn control for switching between metering modes at the rear, and the larger but less flexible LCD display. Important improvements from the previous model include extended battery life, much faster processing times particularly for RAW images, and the ability to shoot RAW and JPEGs at the same time, although the lack of HD movies is a disappointment.

All of our previous lavish praise about Fujifilm's EXR mode applies equally to the S200EXR - it is as effective in practice as it is revolutionary in principle. The D-Range Priority (DR) mode in particular is literally a real eye-opener, recording much greater dynamic range and preserving more detail in the shadows and highlights than either the S200EXR's own high-resolution mode, or any other compact camera that we've reviewed. The EXR - High ISO & Low Noise mode is admittedly less successful, producing slightly less noisy images at each equivalent setting than Resolution Priority mode, but this is tempered somewhat by the latter mode's excellent results from ISO 100-800, a much more versatile and usable range than most compacts offer. In essence the Fujifilm FinePix S200EXR takes both high-resolution photos with relatively little noise at the ISO speeds that you'll use most often, plus the added bonus of smaller 6 megapixel images with dynamic range to die for. Even if you can't decide between the different modes, the camera does a great job of picking the right one for almost every situation that you'll encounter.

In summary the Fujifilm FinePix S200EXR brings the EXR success story to a new audience, offering a compelling combination of excellent image quality and handling at a more affordable price than before.

4.5 stars

Ratings (out of 5)
Design 5
Features 4.5
Ease-of-use 4
Image quality 4.5
Value for money 4.5

Review Roundup

Reviews of the Fujifilm FinePix S200EXR from around the web.

digitalcamerareview.com »

When Fujifilm announced the Finepix S200EXR ultrazoom in late July 2009, Fujifans everywhere may have been hoping for a design to close the zoom gap between the 18x of Fuji's top offerings and the 24 and 26x competition. That wait will continue - the S200 is the anointed successor to Fuji's S100fs - but while the S200 has a lens with the identical 14.3x zoom multiplication of the older camera, its 30.5 to 436mm (35mm equivalent) manual zoom lens is a bit longer.
Read the full review »

photoreview.com.au »

Fujifilm's new FinePix S200EXR replaces the S100FS model at the top of the company's Advanced digicam line-up. Equipped with the same 14.3x zoom lens as its predecessor, the new model introduces the company's 12-megapixel Super CCD EXR sensor, which combines with the S200EXR processor to produce superior image quality.
Read the full review »

Specifications

Number of effective pixels

12 million pixels

CCD sensor

1/1.6-inch Super CCD EXR

Storage media

Internal memory (Approx. 47MB) SD memory card / SDHC *2

File format

Still image: JPEG (Exif Ver. 2.2 *3), CCD-RAW (RAW format), CCD-RAW+JPEG

Lens

Fujinon 14.3x optical zoom lens, F2.8 (Wide) - F5.3 (Telephoto)

Lens focal length

f=7.1 - 101.5mm, equivalent to 30.5 - 436mm on a 35mm camera

Focus

Auto focus (Area, Multi, Center) / Continuous AF / Manual focus (One-push AF mode included)

Focus distance

Normal Wide: Approx. 50cm / 1.6ft. to infinity Telephoto: Approx. 2.5m / 8.2ft. to infinity Macro Wide: Approx. 10cm - 3m / 0.3in. - 9.8ft. Telephoto: Approx. 90cm - 3m / 3ft. - 9.8ft.

Shutter speed

Auto mode) 1/4sec. to 1/4000sec., (All other modes) 30sec. to 1/4000sec. (depends on shooting mode)

Aperture

Wide: F2.8 - F11, Telephoto: F5.3 - F11

Sensitivity

Auto / Auto (3200) / Auto (1600) / Auto (800) / Auto (400) / Equivalent to ISO 100 / 200 / 400 / 800 / 1600 / 3200 / 6400* /12800* (Standard Output Sensitivity) * Number of recorded pixels: ISO6400: “M” or “S”, ISO12800: “S” only

Exposure modes

Programmed AE, Aperture Priority AE, Shutter Priority AE, Manual.

White balance

Automatic scene recognition
Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm white), Fluorescent light (Cool white), Incandescent light

LCD Monitor

2.7-inch, Approx. 230,000 dots, LCD monitor, Approx. 100% coverage

Self-timer

Approx. 10sec. / 2sec. delay

Video Output

NTSC / PAL selectable

Digital Interface

USB 2.0 High-speed

Power source

NP-140 Li-ion battery (included) / AC power adapter AC-84V (sold separately)

Dimensions

133.4 (W) x 93.6 (H) x 145.0 (D) mm / 5.3 (W) x 3.7 (H) x 5.7 (D) in. (excluding accessories and attachments)

Weight

Approx. 820g / 28.9oz. (excluding accessories, batteries and memory card)

Digital Zoom

Approx. 2x

Shooting modes

Mode Dial: Auto, EXR SP, C1, C2, P, S, A, M, Movie, SP: Portrait, Portrait Enhancer, Landscape, Sport, Night, Fireworks, Night (Tripod), Pro Low-light, Pro Focus, Sunset, Snow,Beach, Party, Flower, Text, NP, NP & Flash

Movie recording

640 x 480 pixels / 320 x 240 pixels (30 frames/sec.) with monaural sound

Playback

Face Detection (with Red-eye removal), Slideshow, Trimming, Multi-frame playback (with Micro Thumbnail), Sorting by date, Image rotate, Resize, Voice Memo, Histograms (Highlight warning)

Voice memo

Up to 30 sec. WAV format

Your Comments

Loading comments…